Location: Oakland, California
Country: USA
Genre: Experimental
Full length: Andros Insidium
Format: Digital
Label: 20 Buck Spin
Release date: April 17, 2026
Drawing inspiration from Sumerian myth, Silvia Brinton Perera’s “Descent to the Goddess,” and ancient pagan feminism, Leila Abdul-Rauf expresses defiance and rebellion against a historically dominant patriarchal society. Described by her as the album she has wanted to create for years, “Andros Insidium” reflects experiences of marginalization and ostracism by communities that failed to understand her need to express rage, grief, and the tension between hope and despair through a dark, intimate narrative.
Having finally completed her ambitious project, channeling the passion of years of writing and recording, Abdul-Rauf imbues “Andros Insidium” with enough intimate darkness to evoke centuries of repression, bringing forbidden myths and legends to life and re-invoking the feminine divine as a transformative force. Uncompromisingly untamed, it seems to establish its own timeliness.
First published in 1983, Perera’s book reflects Abdul-Rauf’s longing for an inner female authority. She merges ancient scriptures with modern visions to resurrect and reintroduce the Great Goddess from numerous pre-Christian faiths into contemporary culture. Like the Necronomicon, it uses metaphor through the Mesopotamian myth of Inanna (Sumer) or Ishtar (Babylonia, Assyria), who journeyed to the underworld to confront her sister, the dark goddess Ereshkigal.
In the legend recounted many times over, Inanna was murdered by Ereshkigal, having given up her protection from the dark forces surrounding her, her body imprisoned, and she was later resurrected, a story somewhat akin to the legends of Christ and the Egyptian god Osiris. Abdul-Rauf’s work deeply, personally explores this transformative cycle of death and rebirth leading to redemption.
Cold, dark, ambient, and imposing, “Andros Insidium” can be seen as the culmination of Abdul-Rauf’s projects since 2013’s “Cold and Cloud.” While it shares affinities with Diamanda Galás, Dead Can Dance, Jarboe/Swans and Roberta Baum, its portrayal of the afterlife is so esoteric and abstract that it defies typical descriptions you would give to goth, dungeon synth, black metal or occult rock.
The ancient, lingering sensations woven through her multifaceted songwriting evoke a ritualistic echo carved in the blackest darkness known to man, or a ceremonial journey through the universe. An eternal state suspended between death and rebirth, until a slow, gradual awakening begins to restore consciousness, so at long last the legend of Inanna/Ishtar can be retold.
With guest musicians including Kienan Hamilton of Cartilage, Gregory C. Hagan of King Eider, and Drew Zercoe of Field Of Fear contributing to the material she wrote and recorded, Abdul-Rauf delivers a powerful sensory experience. Paired with Greg Wilkinson’s expert mixing and mastering, gained from his work with Autopsy and High On Fire, she crafts a cinematic narrative that penetrates deeply into your very soul. Using majestic songwriting, aboriginal percussion, evocative vocals, and sacred liturgy, she evokes centuries and millennia of primal self-awareness and female spirit wisdom, transcending any and all surface understanding.
As Abdul-Rauf pushes her imagination and skills beyond anything she has previously explored, your perception of Inanna’s descent into the underworld, her search for her sister, the goddess of perdition, their confrontation, and her sacrifice, are heightened and intensified, revealing profound and unexpected insights into the suppressed female archetype. You experience her pain, emptiness, and ultimately her metamorphosis and renewal, a reawakening of a spirit long believed to be lost in time and space, but whose time has come around again. –Dave Wolff
Track list:
1. Descent into Kur
2. Stripped Before the Eye of Death
3. Eros Anima
4. Senex Rule
5. Fractured Body
6. Andros Insidium
7. A Requiem for Ishtar
8. Return to Anu
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