Full Length Review: Emily Rach Beisel "Sumptuous Branching" (Amalgam) by Dave Wolff

Artist: Emily Rach Beisel

Location: Chicago, Illinois

Country: USA

Genre: Experimental

Full Length: Sumptuous Branching

Format: Digital album, limited edition 12” vinyl

Label: Amalgam (Chicago, IL, USA)

Release date: April 10, 2026

It’s not metal, it’s not rock, it’s not synth-electronica, though in the case of the latter, Emily Rach Beisel’s use of electronics, wind instruments, her own voice, and what’s called “extended techniques” creates soundscapes that cleverly blend electronic, organic and atmospheric elements. She seems to give birth to resurrected demons, unleashing them from an endless sea of cyber-hallucinogenic water that exists only in memory, with sounds never before heard in recorded history.

In what nameless, bottomless subterranean hell did these demons reside before they were brought into existence? We may never know for certain, as Beisel’s compositions stem from fleeting moments of inspiration lost in time, with no clear place in the grand scheme. Her second full-length album, “Sumptuous Branching,” begins with the haunting, ethereal mantra “You won’t find me…,” suggesting her ideas originate in a secret place known only to her, only to dissolve again into the ether.

Practically speaking, Beisel’s inspiration draws from the writings of Sun Ra, Homer, Guillaume de Machaut, and Mark Z. Danielewski. Co-produced with Bill Harris, the album particularly echoes Danielewski’s 2000 horror novel “House of Leaves,” which is described as immersive and disorienting. The novel is a metafictional journey featuring layered, intricate ideas about a labyrinth discovered inside a family’s home. Its multi-perspective theme seems to have influenced Beisel’s songwriting, not as a mirror to the soul, but as a door or window into a world that’s both realistic and surreal.

Balancing imagination, ambiguity and personal interpretation, “Sumptuous Branching” offers chant throughout its ever-changing musical landscapes. The album shifts from one section of the labyrinth to another, refusing to define itself with any single theme. This approach keeps listeners uncertain of what path they’ll take next, where they’ll end up, or what entities might be waiting around the corner, smiling sweetly and inviting you onward.

The promotional video Beisel created for “Catilovers” showcases the natural beauty of her work on a broader scale. Filmed in a single take, it captures the ambiance of being there, every sound recorded as if you were present during filming, surrounded by strategically placed, otherworldly lighting. Strange camera angles evoke “The Twilight Zone” and “The Outer Limits,” while the instruments seem to come at you from all sides, plunging you inescapably into Beisel’s world. –Dave Wolff

Track list:

1. Introit

2. To Rise In Arms

3. Cantilevers

4. Hollow Ships

5. Her Still Singing Limbs

6. We Who Behold the Bright Surface

7. Sumptuous Branching

Single/Video Review: Mindlapse "Rage of Masses" (Ragebreed Records) by Dave Wolff

Band: Mindlapse

Country: United Kingdom

Genre: Melodic death metal

Single/video: Rage of Masses

Format: Streaming

Label: Ragebreed Records

Release date: January 18, 2026

Besides her involvement with Lake of Dreams, Karina Sher is the frontwoman of Mindlapse and builds on their melodic death metal roots by blending gritty vocals with increased melody and fluent hardcore/rap metal elements. Their website bio cites Angela Gossow, Cristina Scabbia, and Tairie B as vocalists relatable to her. Active since 1996, a time when underground metal was beginning to reach new heights of originality, Mindlapse has had ample opportunity to incorporate progressive and gothic metal elements for atmosphere, technical proficiency, and a spooky edge, finding a direction to explore freely.

Sher’s commanding presence in Lake of Dreams’ video, “Hold Me,” showcases beauty within darkness and order within disorder. A duality reflected in Mindlapse’s stage performances, energizing their shows with an emotional balance between existential dread and inner catharsis. Their promotional videos for “Visions,” “Haunted,” “The Prophecy,” “Love My Hate,” and “Risen” visually represent each song in story form, exemplifying why critics across rock, goth, and metal communities regard their long period of experimentation as noteworthy.

Unlike “Hold Me,” which uses nature imagery to depict its story, Mindlapse’s videos feature nightmarish images of violence and trauma, images seemingly buried in the unconscious but suddenly dragged into the light. “Rage of Masses” has thematic ties to Sher’s upcoming film project (which I discussed while reviewing “Hold Me”), with the druidess lead character undergoing a transformative journey to hell, not as damnation but as a rite of passage. It parallels the idea of confronting challenges and undergoing profound change, a central theme in the film.

In hell, she witnesses the souls of fallen soldiers engaged in a battle with demons, where the stakes are either redemption or eternal damnation. As life, death, and salvation intertwine into a single concept, she uncovers the secret of redemption through spirit guides and spiritual warriors who came to comprehend and master darkness without losing their core essence. This is a pivotal moment in Sher's story, serving as a crucible that prepares her for future conflicts in the realm of the living.

Through this ordeal, she learns to become a more resilient healer. The chaos of her environment, her rite of passage, and her unwavering commitment to her true self are embodied in her songwriting (performed by John Mitchell), which merges powerful guitars, raw and ethereal vocals, and subtle piano melodies to symbolize her external terror and inner resolve. The song soars to great heights and plunges into the darkest depths of the underworld, with immersive qualities that evoke a visceral desire to experience the druidess's journey as vividly as possible. Transcending music and film, this project could be a significant step in metal’s evolution. –Dave Wolff

Single/Video Review: Lake of Dreams "Hold Me" (Ragebreed Records) by Dave Wolff

Project: Lake of Dreams

Location: Leicester

Country: United Kingdom

Genre: Folk

Video/single: Hold Me

Format: Streaming

Label: Ragebreed Records (distributed through Earache Records)

Release date: December 29, 2025

Karina Sher, frontwoman of the UK melodic death/groove metal band Mindlapse and founder of Ragebreed Records, launched Lake of Dreams as a visionary project. As the vocalist of Mindlapse, her style is reminiscent of bands like Otep, Arch Enemy, and The Agonist, but she has also explored deeper, more personal facets of her artistry. Her motivation for creating Lake of Dreams was to develop a conceptual fantasy project that transcends traditional music and film by merging haunting melodies with cinematic storytelling.

Since 2022, Sher has released a self-titled EP and four promotional videos. Her latest, “Hold Me,” uses music and film to explore the ephemeral and spiritual aspects of nature, mysticism, and existence. It demonstrates her ability to intertwine sound and imagery into a cohesive tapestry. “Hold Me” is a short film that reflects both the light and dark sides of her personality, relying on her voice and folk music composed by John Mitchell. The film breaks the fourth wall through compelling visuals and emotional intimacy.

The opening scene’s tranquil, mystical setting is enhanced by serene guitars, which quickly shift to tension and apprehension. The story introduces two characters on opposite sides of a conflict, a druidess and a king’s knight tasked with killing her, infusing a fairy-tale-like narrative. Unlike traditional fairy tales that only hint at the villain’s danger, “Hold Me” presents well-rounded characters, offering multiple perspectives. The carefully crafted guitars and vocals convey the compassion and doubt experienced by both characters. The theme centers on unresolved longing, lingering long after the story ends.

Based on Sher’s bio, it seems this ending is intentional, as the four videos form part of a larger narrative that will include a full-length film and a screenplay. The film will expand on the story told in the videos, incorporating spoken word passages, dream imagery, and symbolism to complement the deeply spiritual folk music that forms the foundation of her video singles. Sher and Mitchell’s musical and visual work has piqued my interest in how the final film will turn out. Since they are in the earliest stages, this project holds the potential to evolve into something truly profound. –Dave Wolff

Full Length Review: Corrosion of Conformity "Good God, Baad Man" (Nuclear Blast Records) by Dave Wolff

Band: Corrosion of Conformity

Location: Raleigh, North Carolina

Country: USA

Genre: Doom rock, southern rock

Full length: Good God, Baad Man

Format: Digipak CD, vinyl, digital

Label: Nuclear Blast Records

Release date: April 3, 2026

I've been a fan of Corrosion of Conformity since their socially and politically charged era; “Eye for an Eye,” “Animosity,” “Six Songs with Mike Singing” and “Technocracy.” These releases established their sound and helped lay the groundwork for hardcore punk in the 80s. In the 90s, they shifted toward a traditional doom rock style, finding their niche and beginning a long process of reinvention.

When I heard their longstanding lineup; drummer Reed Mullin, bassist Mike Dean, and guitarist Woody Weatherman; was ending their late 2000s hiatus to perform live and record again, and that they were considering reforming as a four-piece with guitarist/vocalist Pepper Keenan, my interest was reignited. After they released “Corrosion of Conformity,” “IX” and “No Cross, No Crown” (featuring Keenan), Mullin passed away in 2020, and Dean left the band in 2024. Weatherman and Keenan began writing with a new lineup to do Mullin’s memory justice.

Realizing they’d accumulated a diverse collection of songs, more than could fit on a single album, they decided the best path forward was a conceptual double album. Thus, “Good God, Baad Man” was born. Each song, crafted with patient delivery and gritty production, was written in casual circumstances that reflected the mood of the band at the time.

Drawing from Beatles-like psychedelia, Black Sabbath-style doom, stoner metal, southern rock, rhythm and blues, post-punk and something entirely new for them, the album is unified by the raw sound engineered by Warren Riker, who has experience producing Cathedral, Down, and Fugees.

The band’s improvisational approach, sometimes improvising between songs, gives the album a lived-in, edgy and infectious feel. Several writers pointed out songs that spoke to them on different levels. For me, one was "Run for Your Life," one of the album’s longer songs. Evolving organically from doom rock, it bore similarities to Jimi Hendrix, Ted Nugent, Pink Floyd, The Obsessed, Bongzilla, and Cathedral. Difficult to categorize, it showcased the band’s potential for continued evolution.

Another experimental track, "Asleep on the Killing Floor," also resonated with similarities to Pearl Jam, Soundgarden, Butthole Surfers, and Black Sabbath. "Surviving the Amplified" featured unexpected turns, hypnotic melodies, and background vocals inspired by soul music, evoking Saint Vitus at times. –Dave Wolff

Lineup:

Pepper Keenan: Guitar, vocals

Woody Weatherman: Guitar

Bobby Landgraf: Bass

Stanton Moore: Drums

Track list:

1. Good God?/Final Dawn

2. You Or Me

3. Gimme Some Moore

4. The Handler

5. Bedouin's Hand

6. Run For Your Life

7. Baad Man

8. Lose Yourself

9. Mandra Sonos

10. Asleep On The Killing Floor

11. Handcuff County

12. Swallowing The Anchor

13. Brickman

14. Forever Amplified

Review of single/video "Fire and Water" (Nuclear Blast Records) by Dave Wolff

Mini Album Review: Cryfemal "Puro Carbón" (Immortal Frost Productions) by Dave Wolff

Band: Cryfemal

Country: Spain

Genre: Black metal

Mini album: Puro Carbón

Format: Jewel case CD, vinyl, digital (see Bandcamp link for more information)

Label: Immortal Frost Productions

Release date: February 28, 2025

"Puro Carbón" is Cryfemal’s latest release, following their 2023 full-length album, "La Gran Victoria Del Mal." If you’ve heard that album, you may recall its profound depth and atmospheric richness, evoking sensations of descending into hell’s deepest recesses, immersed in a tempest of searing heat and unquenchable flames. Minimal songwriting deviations created a massive layered sound reflecting Spanish occultism, which involves hidden traditions, Catholic superstition, medieval legends, and European paganism.

The lower-tuned seven-string guitars enhanced the portrayal of eternal damnation, subjecting you to an unending fall while infernal fire and tormented screams intensified and converged, reaching an agonizing crescendo. The lower scales conveyed unfathomable darkness; tremolo picking resembled flames licking and melting flesh from bone; the thick atmosphere depicted furious winds relentlessly buffeting you; and the shrieking vocals rose from the depths, promising endless torture at the inevitable terminus.

With their new outing, Cryfemal pushes themselves to surpass the chaos they crafted previously. However, if you’re expecting an exact copy of their last album, your expectations may be subverted. If "La Gran Victoria Del Mal" was like paying a visit to hell and back, then "Puro Carbón" is being irrevocably possessed by all the devils of hell, embarking on a spree of calculated violence.

"Puro Carbón" features less atmosphere and shorter track durations, with a slightly refined sound and streamlined, precise musicianship. The energy and focus they previously channeled into creating a vast atmosphere are now redirected into fitting greater violent intensity into the shorter tracks. The push toward chaos needed to represent this is as tangible as the sensations of being roasted, flayed, and suffocated in that realm below the ground, but Cryfemal makes it easy to discern the form of their tremolo picking and the manner in which they shape their arrangements.

The raspy vocals, instead of being high-pitched, carry a harrowing edge, searing into your mind like countless condemned souls loosed to take control, urging you to vomit forth fire as the volcano erupts. The lyrics, poetic, conveyed through those rasping, harrowing vocals, evoke a solitary, isolated mood, leaving it open to interpretation whether the narrator is experiencing a delusional psychotic break or truly connecting with occult secrets, such as those linked to the Spanish occultism mentioned earlier.

This is just my personal interpretation, but for me, it amplified the psychotic qualities that accompany the occult-themed lyrics, creating a sense of uncertainty about what’s truly happening as you listen to the album. –Dave Wolff

Lineup:

Ebola: Vocals, guitar, bass

Guayota: Drums

Track list:

1. Atlantico Caos

2. Guadana Alzada

3. La Muerte Masturbada

4. Sonambulo Profanador

5. Satan Autista

6. Panteon Mental

7. Sangre De Deceso

8. Karma Invertido

9. Nobrac Orup