Thursday, March 13, 2025

EP Review: Seventh Station "On Shoulders of Giants" (Layered Reality Productions) by Dave Wolff

Band: Seventh Station
Country: Slovenia
Genre: Progressive metal
Format: Digital, jewel case CD
Label: Layered Reality Productions
Release date: February 21, 2025
Seventh Station was started by Dmitri Alperovich and Alexey Polyansky, students at the Rubin Academy of Music (later the Jerusalem Conservatory of Music and the Jerusalem Academy of Music and Dance). There must have been serious, intense studies, because their joining spawned wide ranging explorations of prog rock and metal. “Between Life and Dreams”, their 2016 debut, was operatic expansion comparable to Queensryche, Megadeth, Dream Theater, Frank Zappa, Yes, and Steve Vai. Probably too cutting edge for conventional benchmarks since it transgressed categorization, it attracted the curious with classically trained innovation.
One album (“Heal the Unhealed”) and one EP (“On Shoulders of Giants”) later, Seventh Station is still making their mark in an industry where no rules exist and there's always room for creating and experimenting. This EP has fresh perspectives from musicians from countries with different musical development periods: Israel, Slovenia, Turkey, and Ukraine. This cultural balance mixed with intricate songwriting and complex arrangements appeals to listeners everywhere from the U.S. to Europe to the Middle East to Slovenia.
From some of the band's lyrics, I gather the reason for their radical advancement is because they look deep, within and consider how to channel their collaborative ideas and genre-crossing bond. “On Shoulders of Giants” takes a huge step in that direction. While “Heal the Unhealed” leans closer to metal and rock, with industrial and operatic themes, pays greater attention to its classical features, including refashioned works by 20th century composers. Pushing the “artistic resistance” of underground music, the band choose composers who were musical dissidents.
To say the band has taken their unconventionality up a notch is an understatement. This time, they really went out of their way to create something as far from what we know of metal as they’ve gotten. The material, described as “free thinking art metal” is designed as an alternative reality to the collectivism and extremism we see in news and on social media. Since their first album, their composition has become much more theatrical, incorporating time changes and off-tempos with lightning precision and transitions from contemplative moments to soaring emotional intensity and heaviness. Davidavi Dolev in particular contributes with his ability to draw inspiration from Geoff Tate and David Bowie.
However, there are only a few examples of the band's skill and ability. If I was to discuss every nuance brought to these five tracks I would need an entire page to do so. Suffice it to say that this album has more tempo, theme, and mood changes than I've heard from an album of this kind. Additionally, the cultural backgrounds of the band members are given more weight than usual because each member seems to have contributed to the composition and been given reign to flavor the songs. Most likely the most boundaries I’ve heard crossed this far. –Dave Wolff

Lineup:
Dmitri Alperovich: Electric and acoustic guitars
Eren Başbuğ: Keyboards, editing, programming
Davidavi (Vidi) Dolev: Vocals
Alexy Polyanski: Bass guitars
Grega Plamberger: Drums, marimba, percussion

Track list:
1. Three Days in Dresden
2. Seid nüchtern und wachet... : VII. Es geschah
3. Tropical Limbo
4. Melodia Sentimental
5. Nagasaki Kisses

Sunday, March 9, 2025

Article: "Meditation March 4 2025" by Goddess Rosemary Sahjaza

Meditation March 4 2025
Article by Goddess Rosemary Sahjaza

Starting with a quote:
“Sounds like science fiction, but "memory reconsolidation" is a promising new strategy that combines memory reactivation and the beta blocker propranolol to make traumatic memories less painful.” *
Meditation and information
Memory reconsolidation sounds like science fiction, yet it represents a groundbreaking advancement in our understanding of the human mind.
This innovative strategy involves reactivating traumatic memories while administering the beta blocker propranolol, which dampens the emotional intensity of those memories. By engaging with the experience of a traumatic event during therapy, the neural pathways associated with that memory can be altered.
This process allows individuals to recontextualize their memories, rendering them less painful and more manageable.
As we delve deeper into the intricacies of memory, this method offers hope for countless individuals grappling with trauma—transforming distressing recollections into less impactful echoes of the past.
Memory reconsolidation not only challenges traditional notions of memory but also signifies an evolving landscape of psychological treatment, bridging the gap between cutting-edge science and emotional healing.
In an era where mental health is increasingly prioritized, such innovative approaches are truly illuminating pathways toward recovery.

Goddess Rosemary
Sahjaza Meditations

* Quote by Dr. Elizabeth Loftus, a prominent psychologist known for her research on the malleability of human memory. She has extensively studied memory reconsolidation and its implications for trauma and recovery. If you're looking for specific sources or works by her, I would recommend exploring her published research articles or books that discuss memory and trauma.

Visit Temple House Sahjaza Artifacts to purchase jewelry and benefit animal rescue. -DW

Thursday, March 6, 2025

Interview with Mando Gutierrez of The Recasts by Dave Wolff

Interview with Mando Gutierrez of The Recasts

What are the current members of The Recasts and how long have they worked together? How do you contribute to making the band’s voice distinctive? Did any of the members work in other bands beforehand? If so, has the experience contributed to sharing ideas? 
The current members are David Esquivel: lead guitar, Brian Gilmore: rhythm guitar, Michael Waight: bass, Dr. Dan: drums, and Mando Gutierrez: frontman. Each contributes by bringing their own style and sound that is meshed into what The Recasts is. Every member of the band listens to different kinds of music along with being from different places. So everyone has different influences. This comes together when you really listen to The Recasts’ music. Each member was in a band or two prior to The Recasts.

Where are the band members from? What are some of the bands you grew up listening to? Since many bands expand the scope of their genres, what led you to start creating something unique?
The Recasts members are currently from Chicago, Mexico, Mississippi and Texas. We all came together, as part of our journeys and live near or in San Antonio, Texas. Some guys grew up listening to 80s metal, others Lamb of God and Gojira, Lenny Kravitz and Rob Zombie, it's all over the place really.

Your latest singles "Immortal Resolve" and "Knightfall" have been available since 2023. How did they come together, and how have people reacted since their release?
"Knightfall" was written just prior to Covid. It was a sign of things to come. We had to humble ourselves and not lose who we were. We understood it was the first single coming off our "Devastator" EP and we had to bring it. Unfortunately it was released early Covid and we didn't even play it live for about two years really. So we remastered it, and recorded a Spanish version and released "The Knightfall Chronicles" EP along with a music video to really give the track its due. "Knightfall” is constantly requested and has definitely delivered.
"Immortal Resolve" was the first track post Covid that we wrote. During Covid, in a two year span we lost my Grandmother, Mother in Law, my Mom and my Dad. That flame had burned out for music. But my bandmates didn't quit on me, they came every week and we would play cards or video games or just talk. Eventually we started practicing again and "Immortal Resolve" was born. The release along with a music video were received really well. It showcased that we were back, just like all of us who survived Covid, stronger than ever!

How well did "Devastator" perform with listeners and zines? Which songs are included on it, and how do they reflect the band's growth at the time?
"Devastator" performed really well when it released and still going strong to this day. "Full Throttle", "Devastator", "Home" and "Banshee" were on the EP. This was the first release we worked with Fernando Lemus on. It was a major turning point in our professionalism and what we would come to expect from ourselves. There is a huge jump from our releases prior to "Devastator". Fern definitely challenged and brought out the best in us.

Were the lyrics modified when you recorded the Spanish version of "Knightfall"? Has the song made an impact in Spanish-speaking countries?
Mando worked with longtime producer Fernando Lemus to make the lyrics fit in Spanish. The song has, as The Recasts were just on Argentina radio recently and have received kudos from Mexico as well as coverage.

Who penned the lyrics to the songs on "The Knightfall Chronicles"? Did these tracks have a direct connection to the pandemic, or did some deal with other topics?
Mando penned the lyrics to "Knightfall". It also has to do with who you are inside. That egotistical side is the knight, inside we are all just people. We are all capable of great things in our own way, and we have our own purpose. We need each other, all of us are stronger together than we are alone.

Explain how the videos for "Immortal Resolve" and "Knightfall" reflect the songs. Did you feel it was best to independently produce those videos or did you consult with professionals?
We worked with our longtime producer at FL Recordings, Fernando Lemus. We felt Fern would bring out the best in us cinematically as he does musically.

What is Fernando Lemus' total amount of studio and video experience? Did his studio and video work history lead you to hook up with him?
I can't speak too much on his stuff, but take a look at his website. He's been producing records since 2010. His work as a drummer is what led us to hook up with him actually. Our drummer Dan watched his videos and content and as we were looking to find a new producer, suggested we should meet with him. After meeting with Fern the first time, we knew he would be the guy and he's been that guy since.

Did you look for a studio with the equipment you wanted to use, or does Lemos have a studio of his own where he works with bands?
Fern has his own equipment and all that. He's really a producer that does his homework and constantly works on getting better at his craft. As a man, you got to respect that. Never get complacent.

By Fern's autonomous development as a producer, how is the band inspired to advance in their own manner?
It's allowing us to not only grow but empower us to be even better. It's an amazing this when you believe in someone and vice versa. Once that happens, the possibilities are endless!

The "Immortal Resolve" promo video was shot with a tribal theme. For what reason was this chosen to symbolize the song’s lyrics?
Being that this was done after both Mando's parents passed, we wanted to signify that by honoring Dia De Los Muertos and all that it means.

What aspects of Dia De Los Muertos and its traditions are depicted?
Paying respects to those we've lost, including Covid, is the blood of this video and track. It felt like they pushed this, made it happen. We were lucky and honored to be a part of it.

How did you select the locations to film "Resolve" and "Knightfall"? How long did it take to find a place to provide the mood you desired?
We left that up to Fern since he is the one who shot the video. We spoke about concepts and so on and left the rest to him. You can't put into words, the talent that he has. The synergy between the track, the person we had as an actor and Fern producing and directing, was just incredible.

Can you tell us who the actor is in your videos, and how you tracked him down? Alongside the band's performance, what role does he play?
Of course, Tarzan is an actor who not only does the character in the video, but is also does a Papa Bones voodoo type character which is great! He brought the meaning of what we were inspired by and portraying to life!

What other plans does the band have for 2025? Is there anything special in the works you want to hint to the readers?
We plan to release our new single "Scream and Shout" soon along with a few more releases this year! We also plan to hit the road quite a bit, play a few festivals, and really put our stamp on 2025! This has been great. Thank you for the insightful questions and you guys for reading them! Together, we are Immortal!

-Dave Wolff

therecastsofficial@gmail.com
The Recasts at Linktree
The Recasts at Facebook
The Recasts at Youtube

Monday, March 3, 2025

Mini album review: Tria Prima "Three Primes of Alchemy" (Independent) by Dave Wolff

Band: Tria Prima
Location: Zhytomyr
Country: Ukraine
Genre: Alchemical death metal
Format: Digital
Label: Independent
Release date: January 12, 2025
In Tria Prima’s “Three Primes of Alchemy”, three original songs and one cover give early death metal a massive enhancement with doom metal, classically trained guitars, and the electronic fusion of black metal and dark ambiance comprising what's known as dungeon synth. Electronic sounds blend with sound effects and lyrical explorations of the science, philosophy, and mysticism that were part of alchemical studies in medieval Europe between the fifth and fifteenth centuries.
As a result of the various subgenres of dungeon synth that served as inspiration, Tria Prima was provided room to expand the EP's horizons, and it shows in a number of ways. “Solar Sulphur,” for example, introduces a ceremony that gradually intensifies through the use of a doomy guitar line, strange bass progressions, evocative choral vocals from guest Anira and esoteric keyboards until finally unleashing a full assault of arcane wisdom and magic through the songwriting.
There is a strong similarity between the riffs played during the verses and bands like Death, Obituary, and Autopsy; the band states their inspiration to incorporate doom metal came from listening to Katatonia’s album “Brave Murder Day”. As a firm foundation for the recurring mystical theme and Anira’s otherworldly vocals established previously, these progressions are able to stand alone in straightforward classic death-thrash. Developed by bassist Serhii D. D. Bondar (aka Serg, Bestial Invasion, Cosmic Jaguar), the promotional video for this track depicts rituals taking place in an abandoned house, unleashing forces that surpass the surroundings of the ritual space.
“Philosopher’s Mercury” and “Witchcraft Salt” exhibit a greater degree of similarity to classic death metal, but they don't come without their share of time changes, ethereal keyboards, and unsettling effects that seem to originate from a distant past. Featuring grinding doomy sections, brilliantly executed, classically flavored keyboard and guitar solos, the latter song is the most progressive here.
The lyrics to their original songs are partly inspired by I’ve Greek mythology and the work of sixteenth century Swiss alchemist, physician, mystic and philosopher Paracelsus, who is described by the band as having been an enigmatic, complex and contradictory person. “Three Primes of Alchemy” also includes a cover of Asphyx’s 2012 classic “Deathhammer” from their album of the same name. –Dave Wolff

Lineup:
Ruslan Hrytsiuta: Vocals, guitars, keyboards, lyrics
Serhii D. D. Bondar: Bass, backing vocals, keyboards, songwriting, conception
Jury Sinitsky: Drums
Anira: Guest vocals
E. Maestro: Guest guitar solos

Track list:
1. Solar Sulfur
2. Philosopher's Mercury
3. Witchcraft Salt
4. Deathhammer (Asphyx cover)