Friday, December 2, 2022

Interview with Cernunnous by Devin J. Meaney

Interview with Cernunnous by Devin J. Meaney
This interview is also published at Meaney's blog Mean E Publishing.

Greetings Cernunnous! Please take a few moments to introduce yourself and your music!
Hi folks! I'm the 'Horned God' of the cosmic apocalypse. Pleased to hear that I've been welcomed to share words with y'all. I bring forth an 'old school' style of one man black metal. As a musical entity I guess my pronouns are I/me.

How long have you been producing music under the moniker Cernunnous?
Well I first dropped LSD in 2008 and there was something different afterwards. The quest for a personal project was always on my radar. "Behold the Blizzard" was written that year and it really had no direction with the band I was in at the time. The voice started to speak to me its nameless name. Cernunnous just means 'horned one' in Roman. The true voice is a nameless species that has the power to enchant those who are willing to listen.

What is something that inspires you to write black metal?
Mostly muscle memory to be honest with you. It's like an itch that needs to be scratched. Sometimes words are hard to find...it's kinda like that first blast of elf spice.

What is one of your favourite bands/favourite artists?
I will say Graal. Harry Neal John MacRae is a great man.

I know you released the album "Cosmic Horns" in 2020. Do you have any plans for something new?
Yes. No time table is certain but there's other ordeals that need to be taken care of first.
If the apocalypse would hurry up we'd be able to get it done in no time at all, but alas, it's "business as usual" stuff.

I know you can find a free stream of Cosmic Horns online at Spettro Records...is there anywhere else your music can be found?
Echoing throughout the cosmos. For eternity.

Aside from music...what gets your "motor running"?
Politics. Except I'm not going to expose myself on that one. No, I'd rather travel to the dark corners of the realm and harvest the liberty caps and ingest them in order to break their conditioning. Some have a way of twisting words to derive the cancellation effect.

I heard you are an excellent baker. What inspires you when it comes to the creation of delectable cuisine?
I feed my sourdough starter every day. It has a name. Miguel is a hungry bastard and he decides when he is ready for bread. The timing is everything and it can be consuming...but damn…it's good bread! I even save old dead dough and make bread crumbs and continually add dead bread to the mix and the zombie bread reigns supreme.

Lastly--How would you describe your music to anyone who hasn't heard of you?
Like psilocybin-fueled frozen flames licking the stratosphere.

Any final comments?
Necrotic Void is a side project worth investigating once we complete the record. It was stalled by an interstellar storm that has led to a fail in communications across the galaxy and caused great disorder. Stay tuned as it may be completed in the near future.


-Devin J. Meaney

Full Length Review: Pick Your Side "Live On CIUT" (Death By Digital) by Devin J. Meaney

Country: Canada
Genre: Grindcore
Full Length: Live On CIUT
Format: Cassette
Label: Death By Digital
Release Date: October 10, 2012
A tape I snagged from Death By Digital (label from Ontario) is “Live On CIUT” by Pick Your Side. I had never heard of these guys but on the first listen I knew this was something that was worth a few plays at the very least.
The tape is a plain unlabelled standard black cassette, the case is clear and the insert is a well-cut black and white thick matte paper. Pretty standard, but the tracks themselves are what make this golden.
This is an offering of really “old-school” sounding grindcore with vocals and riffs that give off strong punk-influenced vibes. The sound is not exact but I am reminded of bands in the vein of Siege. The recording quality is “raw but well done” and the percussion, strings and vocals can all be heard with clarity.
Fans of late 80’s and early 90’s grind are sure to enjoy this. It was fun and I plan to give it a few more plays very soon. I don’t have much else to say except that it was worth the few dollars I paid for the cassette and I will most likely snag more from these guys if it is available in the future! -Devin J. Meaney

Track list:
1. Dark Future
2. Plug-In Generation
3. More Cops, More Crime
4. Meltdown
5. This Is Not A Test
6. Throne Of Privilege
7. My Troubles
8. Headed Snake
9. How To Cope
10. Survival Prayer
11. Looking Back
12. New War
13. This Too Shall Pass
14. Right Turn

Thursday, December 1, 2022

Split Review: Hoarder/Brainstem "Farewell to the Flesh":(Sordid Bin Records) by Devin J. Meaney

Band: Hoarder
Location: Halifax, Nova Scotia
Country: Canada
Genre: Death metal, grindcore, hardcore
Band: Brainstem
Location: Halifax, Nova Scotia
Country: Canada
Genre: Death metal, grindcore
Split: Farewell to the Flesh
Format: Cassette, streaming
Label: Sordid Bin Records (Canada)
Release date: September 23, 2020
After a night of tea and insomnia I felt the urge to work some energy out of my system. I loaded up YouTube looking for grindcore bands based out of Nova Scotia. After some brief searching I came to a two way split between two one man bands based out of Halifax. Hoarder is a one man grind band and Brainstem is a one man death/grind project. Clocking in at just over 10 minutes this split was short but it sure did help me crank out the excess gumption that I had stored in my brain and body.
Hoarder throws up five tracks featuring Exalt the Macabre, Shit’s Fucked, Green Necks, Bulkhead and Nothing of Interest. Brainstem also has five tracks on this gnarly piece of chaos titled Substance, Brainstem, Unbalanced, Braindamage and Delusion.
Brought to a frenzy of head-banging I sat at my desk and consumed this pile of carnage as if it was a hearty meal after a day of intense labour. I will without question check out anything I hear from these guys in the future…and I would suggest this split to all fans of grind. Nova Scotia is my home…and it is always a pleasant find when I stumble upon some heaviness from the N.S. scene. Grind is not for everyone--but for those of us that enjoy indulging in such craziness this one is an instant win.
In conclusion--you all should check these guys out. What are you…square? -Devin J. Meaney

Lineup:
Hoarder
Nate Miller:: Guitars, vocals
Christian Ouellet: Guitars
Brendon Doran: Bass
Ryan Hand: Drums

Brainstem
James Gittins: Vocals, all instruments

Track list:
1. Hoarder - Exalt the Macabre
2. Hoarder - Shit's Fucked
3. Hoarder - Green Necks
4. Hoarder – Bulkhead
5. Hoarder - Nothing of Interest
6. Brainstem – Substance
7. Brainstem – Brainstem
8. Brainstem – Unbalanced
9. Brainstem – Braindamage
10. Brainstem – Delusion

Wednesday, November 30, 2022

Demo Review: Inopexia "Demo 2021" (Independent) by Devin J. Meaney

Band: Inopexia
Country: Russia
Genre: Gore, grind, noise
Demo: Demo 2021
Format: Digital
Label: Independent
Release date: December 29, 2021
Once again while on my journey through the wasteland that is the underbelly of YouTube I happened to find something pretty cool. “Demo 2021” by Inopexia shrouds the listener in a barrage of short goregrind blasts absolutely filled with pitched watery vocalizations, tight guitars and percussion that absolutely destroys the cranium…and I’d honestly have it no other way.
Hailing from Russia I can honestly say this isn’t just standard goregrind. The production is top quality and although the demo is so short it still manages to make itself known as something that is deserving of a listen (or three). Although the instruments are done well I’d say the high point of this demo would be the vocals. I always love a watery vocal sound with my goregrind and gorenoise…and the vocals presented here by Inopexia are more than just passable…they are great!
Clocking in at under four minutes you might need to listen to this a few times before everything really sinks in. But without any doubt in my mind I can state that I’d happily check out anything from Inopexia in the future. The toilet bowl vocals really snag me…so I’d absolutely love to hear more! -Devin J. Meaney

Track list:
1. Образование
2. Водитель
3. Селитроc
4. ...по семейным обстоятельствам
5. Проходимец
6. Солиджон Мацаралла
7. Люфт Лифта

Interview with Devin Joseph Meaney of Mean E Publishing by Dave Wolff

Interview with Devin Joseph Meaney of Mean E Publishing by Dave Wolff

Before you started Mean E Publishing you were writing reviews and fiction for Lightbringer Zine. Why did you make the transition to publishing fiction by you and other authors?
I still contribute to other zines and publications but I wanted to start my own website and publish fiction on my own. I figured it would be good to have a place to showcase my own work... and hopefully in the future I can release the work of other people. I have two short stories by my friend CF Green posted, but so far the website is mostly my own writings.

What publications have you reviewed for in the last several months? Are they based in Canada where you’re from or other countries?
As far as reviews go I have reviewed for Asphyxium, Lights Go Out Zine and Morgue Rot Magazine... though I have been focusing more on fiction.

Were you burned out on reviewing bands or did you just gravitate to writing fiction? And who were some of the most memorable bands you reviewed?
Honestly yes, I did get burnt out from reviewing bands for a while but I'm slowly getting back into it. Out of my recent reviews, the most memorable would need to be “Tales of Othertime” by Stormkeep and “Fortress of Primal Grace” by Vallendusk. There were others but those are the first two that stick out as awesome.

Is your old blog still active or was it taken down at some point? When did you open your new website and start posting your writing?
Lightbringer Zine was taken down due to a lack of support. My new website is more successful! I started Mean E Publishing earlier in the year and as for the blog I started posting on Halloween day 2022!

Do you remain in touch with the fanzines you were reviewing for? Are you discovering new zines to submit reviews to?
I still keep in touch with Morgue Rot and Light's Go Out, and I have a story coming out in a new issue of Siren's Call E-Zine. So yes, I do keep in touch with other zines. From time to time I find new ones but I have been slower on the draw than I have been in the past.

You’ve also written a few articles for Asphyxium, namely “Merry Christmas Pete Berwick”, “Questions and Conclusions on the Topic of Antisocial Personality Disorder” and “I Fucking Love Goregrind”. Is there anything you would like to write articles about?
I have a few article ideas but I haven't gotten around to anything yet.

Did you keep in touch with the bands and artists you interviewed for Asphyxium, such as The Clever References, Lookin Up, Jimi Hughes, Trash Brain, Strummingbird and Get Real? Any one new you’ve thought of interviewing for other zines?
The musicians from Trash Brain are from Cape Breton. So I run into them from time to time. The same can be said for Get Real. As for interviews... I haven't really been doing any. Since I left social media it is harder to connect with musicians. It is a small downside amidst many upsides... but I might do a few interviews with some friends soon!

How long has Death By Digital been active in Canada, and do they distribute abroad as well as their home continent? In what part of Canada is it based? Who are the bands you heard of and how do they take grindcore and goregrind in different directions?
I don't know how long Death By Digital has been active but it is run by a guy named Doug from Ontario. Once again, I do not know if they ship abroad. As for bands I have heard of through the label there are too many to count. Notable ones would be Lurid Panacea, Ear Maggot, Sjeta, Uprising (black metal) and Toxicology. I also received a lot of bands that were already known to me. When it comes to taking goregrind and grindcore in different directions the bands vary. Some are experimental and some are your straight forward grind. One band (Sjeta) released an entire B side of dark ambience on one of their tapes. I thought that was pretty neat!

Does Death By Digital have a Youtube channel? How many labels for grindcore, goregrind and black metal are you coming across on that network?
I don't know if Death By Digital has a Youtube channel as I have only been listening to physical media from the label. I do come across bands on Youtube but I have mostly been listening to tape cassettes and CDs recently... except for when I listen to black metal as I find it harder to find tapes from the genre within Canada for a fair price. Label wise I have never once hooked up with a label from Youtube.

What black metal bands have you recently heard that stand out from other bands of the genre? From the bands you’ve been exposed to, how has the genre grown and how many opportunities for growth remain?
When it comes to black metal some great ones would be Vallendusk, Stormkeep, By the Waters of Awakening, Uprising, I Of The Trees and Wind And Vaino. Black metal was good way back when and it is still good today. I think black metal will continue to progress and push forward for a very long time and the opportunities for the genre are unending and unwavering... at least within the confines of the underground.

What about Stormkeep and Vallendusk held your interest? Where on social media can people listen to their material?
Stormkeep is some of the most epic melodic black metal I have ever heard. As for Vallendusk, I found their music to be uplifting as opposed to depressive... so I think that is what snagged me. I will also say that Stormkeep is “journey music”... and by that I mean listening to them makes me want to go on an adventure. You can find a fair bit from both bands on Youtube!

So do you think there are still original and inventive metal bands to discover? How about grindcore and goregrind bands?
Of course! There are still plenty of inventive bands left out there and I find new stuff each week. A lot of the black metal I have been finding is of top quality. As for grindcore and goregrind I've been getting cassettes from Death By Digital (a Canadian grind label) and a lot of the cassettes are pretty decent!

Have you listened to anything new from bands you’ve reviewed such as Vaino, Organ Failure, Sawbelly, Manegarm, Violent Christians etc? There was a rap artist you wrote about a few times known as 6HOST WITHASIX. Do you still correspond with him?
As far as I know Vaino only has the one full-length. But as soon as I hear tell of something new I will be hopping on that quick. It is funny you mention Manegarm because I am actually listening to Manegarm on cassette as I write this! It is one of their older albums... but I have been keeping up with their newer stuff. As for 6HOST he is from my area... but I have not run into him recently. He is quite the talented musician though and I do hope that he is keeping up with his music career.

Discuss the stories you have posted by CF Green and recent tales you penned. Has your writing improved with practice? Can you describe the storylines of your recent stories?
CF Green has written a few short things for me when I was trying to start my own zine. The zine got minimal support but when I started my new site I re-uploaded some of CF's work. There are only two stories currently on the “Free Stuff” page but I'm sure he will send more in the future. I have a lot of work posted but my most recent would be “Frumpy Franny Fringle and the Fabulous Farting Fox” a short book for children, “Michael Noseman and the Wizard of Schnozz” which is mostly a joke between friends with lots of hidden humour and a children's series called “Phester the Skrugg”. I would like to think that my writing has improved. It is a very slow process but I am inching towards bettering myself all the time. In fact, you are to thank for some of that as you were one of the first to let me post on your zine! That was great practice and a lot of fun and as I slowly get back to reviewing I will send some more stuff your way! As for explaining my stories that is too big of an outing. You'd just need to read them and find out! I got lots of free stuff posted on the site on the "Free Stuff" page for anyone that is interested!

Are there any guidelines for submitting fiction, or are you accepting a variety of themes?
For the most part (recently) I have been posting YA and children's fiction. But I have everything from horror to comedy posted. There is no real theme, but I do stress that anything racist, sexist, homophobic or openly negative will not be posted.

Back to your publishing fiction, how much fiction have you accumulated? Do you plan to post all your fiction? How much of CF Green’s work do you plan to post?
I have accumulated 5 novelettes and about 15 short stories... plus a small handful of kids' books! There are actually more short stories but I have lost a lot of my older work. I have also written a lot of flash fiction...the number of writings I am very unsure of. I will post what I am content with... and as for CF he made two guest posts at my blog since we began this interview!

What blogging platform do you use to promote? Do you know of its potential to reach a wider readership? How often do you promote?
For blogging I use the same site as the initial website. Webnode! I am a big fan of this service. It is simple to use and everything comes out looking pretty good! I think it has potential to reach a fair few readers. I am not promoting online (aside from this interview so far) but I do have an ad in a small local paper called “Northside Weekly”. So I do have a bit of promotion going on with physical media. I also plan to run an ad campaign on Amazon in the new year!

What novels or short stories have you read lately that you found inspirational? I remember there were a few other authors you read often.
As always my favourite author of all time is R. L. Stine. He has a new book of short stories called “Stinetinglers” that I plan to buy in the near future. My reading has been very slow but the most recent book I read was “Carnosaur” by Harry Adam Knight. It was written in the 80s and wasn't re-released until this year. The movie of the same title from the 90s is one of my favorite movies of all time. The book differs greatly from the movie but it was highly enjoyable none the less. Oh! And I read the “Turok” series by Michael Teitelbaum from the late 90s. They were written for younger readers but they were highly enjoyable and they filled me to the brim with nostalgia!

What sort of nostalgia did you receive from Teitelbaum’s “Turok” series?
I was a huge Turok fan since I was a kid. I always played the video games on my Nintendo 64. The first one in the series "Way of the Warrior" I wrote two book reports on when I was in high school but I never read the others. I got a chance to order the first three in the series earlier in the year and I'm glad I bought them. They were expensive for such short books but it was worth it! I still have yet to order the fourth and final book due to it being over 100 dollars CAD because of it being a first print/out of print... but maybe sometime when I can snag it for cheaper I will!

How hard to find is material from the series? How intensively did you have to look before finding a copy of the fourth novel?
I have actually been pricing the Turok books for a few years now. They were expensive but when I found them again I managed to get one from Amazon for 14 dollars plus shipping and the next two were about 28 dollars on Thriftbooks. The fourth one is still about 100 CAD (the only one I did not order). The books are really rare as they are from 1998-1999 and were only printed once. But you CAN grab a copy of the fourth book from Amazon or Thriftbooks if you are willing to pay the price they are asking.

Would you consider publishing your stories in book form at some point? How many online companies do you know of that could publish a collection of your work?
I plan to publish two books at some point. I am unsure of any companies that would release my work but if there are any reading this get in touch! Until then I will be releasing through Amazon KDP and my own website.

How long will it be and how much material will you have to collect before you begin publishing? Will you release your books independently at first or go right into looking for a company?
For the books I am compiling I already reached out to a handful of publishers but no go so far. It is looking like they are going to be independent releases. I have everything I need for right now I just need to finish doing some edits.

What movies have you seen lately, old or new, that you’d like to review for Mean E Publishing should you decide to?
The only movie I plan to review that I did not review yet is a teen flick called “Teenage Ghost Punk”. I actually plan to send that review to Asphyxium when I get around to it!

Are you seeking more writers to contribute to the blog? You also mentioned you may be interviewing a few people you know. Who do you have in mind?
I don't really have anyone in mind for an interview. Maybe I could get updated on Cernunnous? But yeah... I am always looking for contributors for the blog!


-Dave Wolff

Monday, November 21, 2022

Full Length Review: Death Embrace "Vampyre" (Independent) by Dave Wolff

Project: Death Embrace
Country: United Kingdom
Genre: Black metal
Full length: Vampyre
Format: Digital album
Label: Independent
Release date: October 31, 2022
In this season when nature is going to sleep, I find it warms my heart to once again visit ancient times, cold landscapes, rotting crypts, and bloodthirsty ghouls. It seems as if old crypts are being reopened for those with the perception to receive them at a time when bands like Darkthrone and Mayhem are revisiting their roots and processing them into the new millennium. Prepare to have this done for you and to be drawn into the darkness of a world created by Death Embrace a one-man project from the lands of Hecate Enthroned, Bal-Sagoth, and Cradle of Filth, and induced to a state of hypnosis from which there is no return.
“Vampyre”, the third full length release from founding member D.M after “Dark Reflections of a Tortured Soul” and “Unholy Trinity II” and their debut demo “Unholy Trinity I”, will transport you to the starless, moonless world of necromancy and enchantment and leave you there without a chance to return to the ordinary. Death Embrace is a good place to begin a journey toward darker shores if your usual listening fare includes Burzum, Black Funeral, Vlad Tepes, and Darkness Enshroud. D.M composed the songs on “Vampyre” around spells written to summon what he calls the primordial Vampyric essence and the beauty of immortality.
The songs of this musician embody those creatures that eat lifeblood from other creatures, especially in the vocals that seem to transform him into one of those creatures. As a guitarist and keyboardist, he makes use of overlapping progressions to create simple, complex, and elusively soporific songs. Lead and rhythm guitars are usually mixed simultaneously with a third track consisting of keyboards, mixed a little lower for additional subtlety, occasionally revealing more than one soundscape through his songwriting.
The repetitive loops create a rapturous atmosphere effortlessly comparable to 90s vampiric black metal, allowing its "kvlt" aspects to be a viable mass appeal source. Only the drums could have been given more prominence and echo in the final mix, but the rest of the album more than adequately captures the world he sought to convey. The keyboard instrumental piece that is the final song establishes the existence of this world on earth. –Dave Wolff

Lineup:
D.M: Vocals, all instruments

Track list:
1. From Beyond The Veil
2. The Dead Cold Grave
3. Vampyric Blood Rite
4. Awaken
5. Vampyre
6. Coven (Instrumental)

Saturday, November 19, 2022

Interview with Metal Priest of Cosmic Jaguar by Dave Wolff


Interview with Metal Priest of Cosmic Jaguar by Dave Wolff

When did you start Cosmic Jaguar and in what ways do you differ from your old outfit Bestial Invasion? Does the new band have the same members or different musicians?
Cosmic Jaguar started very spontaneously in April 2022. It was a random jam and we first decided to record one song, then a couple, and then eventually an album. Since there was a war going on in the country we didn't know what would happen tomorrow, so we didn't plan anything and did things as we could. There are three people in Cosmic Jaguar, me on vocals and bass guitar, the old Bestial Invasion guitarist Maestro and the new Bestial Invasion drummer Denis. By the way, I called Denis to play in Bestial Invasion after creating Cosmic Jaguar because we need such talented musicians in the main band. What is the difference between Cosmic Jaguar and Bestial Invasion? First of all the vocals, because the vocals are more straightforward and typical thrash vocals, they don't play as much of a role as in Bestial Invasion. Secondly, the music, because there are folk instruments and different atmospheric samples to enrich our concept. Cosmic Jaguar's music is not as technical as Bestial Invasion's, but more avant-garde. And the third thing is the concept, Bestial Invasion has no narrowly focused concept, and Cosmic Jaguar has Aztec culture and mythology.

What is the name Cosmic Jaguar intended to mean and how does it represent the direction the band is taking musically? Did you set out to do something different from Bestial Invasion or did it come about naturally?
Cosmic Jaguar is from Aztec culture, as it sounds very strange for metal bands and is catchy, so we decided to use it. Now it's very difficult to come up with an original name for a band, but I think we did it. When we started out we didn't have any affiliations or plans to be like Bestial Invasion, because it doesn't make any sense. Cosmic Jaguar is a self-contained band!

Do you know of bands from other countries who incorporate Aztec culture into metal, or is it a relatively new concept to you?
Yeah, I know a couple, but they didn't influence us, because they play in a different style. For example, I like Amocualli, Cemican, and Maquahuitl. For thrash, of course, this is new, so I decided to take advantage of it!

What subgenres do those bands play, where are they from and how did you hear about them? Can people stream them online?
They play very different music, but they have that very Aztec spirit that I liked. I saw them on YouTube and you can do the same! Cemican even played at Wacken! They have very cool music videos!

How much of Aztec culture and history are you studying to incorporate into your lyrics? What mediums are you turning to for study?
I read a lot of different articles and books and find interesting information in them that inspires me with the concept. I also dream of going to Mexico and seeing everything with my own eyes and I think I will in the coming years!

How often did you have random jam sessions before starting Cosmic Jaguar?
Not often, because at that time there was a very active war phase and we didn't know what to expect next from the situation, so ideas were already exchanged over the internet.

Where in Mexico are you planning to travel to? Are you in touch with any bands based in Mexico you would hook up with to go to live shows, or are you just planning to see some of the sights there? Where else would you travel?
I would like to visit the Pyramid of the Sun, it's about 40 km from Mexico, in a northeasterly direction, and I would also like to visit the Yucatan Peninsula. I don't have any connections to Mexican groups, but I'd fix that if I wanted to. I would just like to go as a tourist and enjoy the culture of Mexico.

Was the entire album written and composed in that one jam session, or was it completed over a series of jam sessions?
I had a lot of ideas and blueprints that didn't make it into my other projects, so we started with those, and the guitarist had a couple of good ideas and we basically made an album out of it all, but we worked it all out in terms of concepts and arrangements. We didn't rehearse much, but we did a tremendous job at the rehearsals.

What folk instruments do you write with? Are they instruments other bands have recorded with, or are you writing with instruments other bands haven’t tried? Describe some of the atmospheric samples included in your material.
Some percussion instruments are available from our percussionist Denis, and some we took from different sound libraries because we have no place to find these instruments and record it all ourselves. We used Death Whistles, flutes, and other wind instruments. We have these elements in all of our songs, so it's hard to isolate anything.

What is the Death Whistle, and how often did you record the album with this instrument?
The Aztec whistle, which makes an eerie sound, was immediately given the name "death whistle". Exactly what these whistles were intended for, scientists still don't know exactly. One plausible theory is that they were used in rituals - the Aztecs had a great many of them, so it is difficult to determine which one. A second hypothesis has it that whistles with frightening sounds were used to intimidate enemies. Indeed, if you hear the shrieks of an Aztec whistle in the dark, and even more so in the dense jungle, you can literally shit in your trousers! We've used it a couple of times on some songs.

What sort of an effect does the death whistle have on Cosmic Jaguar’s material? In what ways does it influence the atmosphere in your songs?
It's a very specific sound that makes you wonder, what was that? It influences the atmosphere a lot because these sounds give a concept to our music! When the album comes out you'll know what I mean!

Did the lyrics come with the material you completed in rehearsal, or are those still to be penned at some point? How much do the lyrics differ from Bestial Invasion’s?
I wrote the lyrics for the finished song, which means that we had the instrumental part of the song, and then I took the demo home and came up with the lyrics and the vocal line there. So everything was done one at a time. Bestial Invasion is a completely different band in concept, so the lyrics are different.

What books would you recommend to people who listen to Cosmic Jaguar and become interested in Aztec culture?
To begin with, at least, “Fifth Sun: A New History of the Aztecs”. Also: “The Gods and Symbols of Ancient Mexico and the Maya”, “Deciphering Aztec Hieroglyphs”, “The Aztec Empire: An Enthralling Overview of the History of the Aztecs”. This is actually a very complex topic and requires a lot of time and attention to be fully immersed in it. And for the very lazy I can recommend the film “Apocalypto” (2006).

What is the movie “Apocalypto” about and why did you recommend this to the readers?
The film shows the life of the Aztec/Maya civilization before the arrival of the Spanish conquistadors: brutal wars with neighbouring tribes, human sacrifice, and mysterious mystical rituals. One day, the world of an Indian named Paw Jaguar collapses. His village is overrun by a neighbouring tribe, destroying huts, and taking the locals captive. He is led into town to be sacrificed to the gods. Faced with imminent death, Lapa Jaguara must conquer his worst fears and make a desperate dash to save what he holds dear... Why recommend him? Because it is watchable in the same breath and reveals everyday life and culture very well.

Name some of the songs you composed in your initial jam session.
They were “Chimalma, Mother of the Quetzalcoatl” and “The Harbinger of the Sun”. The album “The Legacy of the Aztecs” has been ready since September and was handed over to the Dutch label Metal Warrior Records.

How do the subject matter and lyrical content of “Chimalma, Mother of the Quetzalcoatl” and “The Harbinger of the Sun” reflects your research on Aztec Culture?
“Chimalma, Mother of the Quetzalcoatl” is a goddess in Aztec mythology. Considered the wife of Miskoatl and the mother of Quetzalcoatl. The name Chimalma means ‘shield of the Earth’ or ‘with a shield in hand’. According to one legend, Chimalma had no children for a long time. She prayed on the altar of Quetzalcoatl and the priest said that she had to swallow a small precious stone, a jad. After she swallowed the jad, Quetzalcoatl was conceived.
“The Harbinger of the Sun” song of Sholotl - in Aztec and Toltec mythology, the god of thunder and death, the “dark” twin brother of Quetzalcoatl, one of the two sons of the maiden Coatlicue. In Aztec myths, usually represented as a formidable deity of thunder, the underworld, and various disasters and mishaps, was considered the lord of the evening star and the dark side of Venus, but at the same time was a patron of twins and the ball game, in Myctlan (the realm of the dead in Aztec mythology) accompanied the dead, also accompanied the sun at the beginning of the day on his way to the firmament. He was depicted as a skeleton or as a humanoid monster with a dog's head and crooked legs. In some depictions he is armed with an axe and has a spot of light on his back.

How did you hear about Metal Warrior Records? How well-known is this label in Holland, and why did you decide they could best promote the band?
I met their boss Mario by chance and we got to know each other to re-release the Bestial Invasion albums, and then I suggested to him to release our new project and he said yes. I love the fact that this label does a really good product in all aspects and because of the war we don't have the possibility to do it on Nocturnus Records, where the last two Bestial Invasion albums were released. Also, Metal Warrior Records has a good distribution worldwide!

What bands besides Cosmic Jaguar are Metal Warrior Records supporting at the time of this writing?
The label doesn't have a big list of bands, but there are a couple of cool ones, like Feonor (Featuring ex-Manowar guitarist David Shankle), Vultur, and Invictus.

In what ways has the war with Russia affected metal bands and underground scenes in your country, as far as corresponding together and with bands and fans elsewhere?
Very much, because the war changes your priorities. The Ukrainian spirit can't break anything, so after Ukraine's victory everything will be back on track and I think there will be a new creative boom! Part of the metal community is fighting, another part is volunteering, and another part is working for the country's economy. Personally, most of the fans of Raven, Type O Negative, Poltergeist, and other bands supported me and that's very cool!

Has your immediate neighborhood in Ukraine been affected by the war? How often have you had the chance to tell listeners outside your country what’s been happening?
Of course it has, I've had a lot of people write to me from Europe and the U.S. asking what's going on because they don't always trust the media. So at first, I spent a lot of time answering everyone. Everyone who wants to know the truth should know it.

In your view, how much has the media been getting things wrong when it comes to covering the war? How do people react when you present them with your accounts of what’s happening? Where else should people go to get the full story?
It all depends on where the media is coming from, if it's pro-Russian, it's all rubbish, so sometimes people get it wrong. I, of course, tell the truth as an eyewitness. It's very difficult to find a single source that would reveal the whole truth, so I'm afraid to take such responsibility to advise anything.

Since the war started has it become more difficult to correspond with Russian bands you’re in touch with? How is the internet connection between Ukraine and Russia of late?
Before the war, I didn't keep in touch with almost any Russian groups, because after 2014, when Russia annexed Crimea and caused a massacre in Donbass, friendly relations deteriorated.

Tell the readers a few things about the recent video you released on Youtube covering a song by the band Sadist (Italy). Is this one of many songs you were considering doing your own rendition of? Why was it chosen to showcase the band?
We recently released a cover of Sadist – “Escogido”! This is our second cover, the first one was for Babe Ruth's album “The Mexican” and now we're recording the third one for Cynic. We all really like Sadist's album Tribe and decided to do a cover as a tribute. This song suits us very well in terms of atmosphere and concept, as well as musically. And the most annoying thing is that almost nobody has done covers of Sadist, so we decided to stand out. Also, we did it in our own way, which was very much liked by the founding guitarist Tommy and the former drummer of Peso.

Are you planning to produce more videos to promote Cosmic Jaguar? And what has Bestial Invasion been up to of late?
We already shot a video in the summer for “The Northern Underworld” in an old-school format. It's a black-and-white video in the old 4:3 TV format without any fancy gimmicks. It was on a zero budget and I shot and edited it myself. That's why it's made from the heart and out of the trends of our time. We plan to unload the clip next year before the album is released. As for Bestial Invasion, we have already composed a new album and are recording it now and we will have our first single soon! Stay tuned!

What is the next Bestial Invasion album going to be like? How long did it take to complete it and is it an improvement from your previous releases?
The next album will be more like the third “Monomania” album because there won't be the same dense concept as on the previous album on “Divine Comedy”. There will be a different sound and more cheerful stuff. We've already composed all the material and we're recording it now! The album will be released in autumn 2023 I think!

Which song will be the first single to showcase the new full-length? Is the taping and production of the video being completed at this time?
There was already the first single on 15 October, “Our Lord the Flayed One”. The next single will be just after the new year and might be "Temple of the Feathered Serpent" and the video clip will most likely be just before the album release. The clip has been ready since August).

How often do you expect to promote the new material from both your bands by performing live? What local locations or countries do you and the band have in mind?
Bestial Invasion isn't planning to play with us yet, although we received an invitation to Wacken 2023 and Cosmic Jaguar is likely to go there, so we're in talks. While there's a war going on we're not planning anything apart from studio records, and time will tell!


-Dave Wolff


Wednesday, November 16, 2022

EP Review: One Push Bubble Gore "The Gurgling Session" (Independent) by Devin J. Meaney

Band: One Push Bubble Gore
Country: Indonesia
Genre: Cyber/Goregrind
Format: Digital, streaming
Label: Independent
Release date: October 20, 2022
I checked to see if Gore Grinder had anything new on YouTube. There wasn’t really anything that I was interested in there…but after some mild searching I found a different account called “The Slaughterhouse”.
On there I found an upload of “The Gurgling Session” by “One Push Bubble Gore”. This was recently released in October 2022 and it boasts itself as being a mix of goregrind and cyber-gore. It was an independent release from Indonesia.
The bass sounds organic but if it is listed as cyber I can make a stab that it is electronic. So the fact that it sounds so real is quite impressive. The vocals are amusing, the percussion is done well and overall this is quite the entertaining little blast of gore. The production is lo-fi—but honestly it is great that stuff like this is still being produced in 2022.
This is a short one with 7 tracks in about 10 minutes…but I wound encourage you to give it a listen. Fans of acts like Spermswamp are sure to dig what is offered here…top quality cyber! -Devin J. Meaney

Lineup:
Tegar Nambayo: Vocals, all instruments

Track list:
1. Minced Body Parts
2. Surgical Treatment
3. Mincing in Your Kitchen
4. Disturbed Mutilation
5. Minced Gore is Power
6. Violates Sodomy a Herbivore
7. The Newborn Need a Feast

Monday, November 14, 2022

Fiction: "When Children Feed" by Devin J. Meaney

When Children Feed
By: Devin J. Meaney

The nameless thing writhed with malignant intent as its many appendages caressed my shivering and distressed body. Its numerous eyes glistened in the low lighting of my bedroom as its many teeth gnashed in its many mouths, each one as gaping and cavernous as the abyss. The stench of necrosis permeated the air bringing forth a gagging sensation like no other…rancid like week old flesh left out in the sun.
My thoughts began to swirl. What the hell is this abomination? How did it get in here? What does it plan to do?...but my rapid mental pacing did not garner an answer, nor did I have the ability to speak. Each second felt like an hour as I counted the saliva drips oozing from its mouths, and all I could do was gasp as its tentacles licked at my torso like a kitten lapping up fresh milk.
Just as I thought it couldn’t get worse, the thing started to pulsate. The sound of its heartbeat quickened in pace, slowly but steadily rising as it eventually climaxed reminding me of a cross between tribal drums and machine gun fire, each beat ringing out like a blast of audible vomit spew. I could only muster up the internal strength to mumble three words. “Mother of God”.
Then, with blazing quickness, its tentacles wrapped me in a hug of death, tugging this way and that way as if multiple boa constrictors were competing for the same boar. I struggled to breathe as my body was being crushed to oblivion, and just as I was lapsing out of consciousness…the thing spoke.
“Feed…my…children.”
Its voice was purely serpentine, and it was emitted not from its mouths, but seemingly from the atmosphere within my bedroom as a whole. The thing released its grasp on me slightly and I breathed in deep…half choking on large gulps of pungent air. The tentacles were no longer tugging at me and they were now holding me in place…leaving me to dangle in the air like a codfish on the end of a fisherman’s jig line. With some struggle I managed to question the monstrosity. “What do you mean?”…but it only repeated its first utterance.
“Feed…my…children.”
I swayed in an almost catatonic stupor as the thing pulsed. Its heartbeat started to diminish in quickness, and by now its tentacles were not writhing…they were rigid and frozen in place for some ungodly reason that was at this point unknown to me. After a moment, the thing started to squirm again and what happened next I will remember forever, the pure horror etched grotesquely within my mind. The tribal sounding lub dub lub dub lub dub continued at a steady pace, and as I swayed, its many mouths started to veer into each other, slowly becoming a grisly and contorted mass of one. Its teeth retracted and re-grew all in one spot, giving the appearance of a fang-toothed void that could surely only be the maw of a spawn from the depths of hell. Then, in a bellowing rage, it spoke in a guttural tone louder and more maniacal than before.
“FEED…MY…CHILDREN!”
From its mouth came what seemed to be a massive tongue, covered in what I could only guess were egg sacs. Each sac, about the size of a grapefruit, vibrated and hummed along to the beat of the creature’s heart... “dancing” almost rhythmically as if they were performers on some sort of freakish and outlandish stage. The thing’s eyes rolled back into its head, mottled and milky white like demonic orbs of the damned…then came the needle.
Growing from the back of its throat a “needle” like no other I have seen before penetrated the blackness within the monster’s jaws. Like a bone siphon, it stretched forward, its tip like an elongated syringe birthed from the infernal regions…sharp as a comic’s wit and more menacing than bull sharks in a blood frenzy. I let out a whimper and prayed for my saving grace…but no God nor angels came to my aid.
The needle grew closer and closer to my neck and I could only plead and moan as the tentacles held me in place, each moment bringing forth pure terror as the sweat beaded from my body and my hair stood on end…my own heart almost racing out of my chest. I closed my eyes and waited for a slow death, but just as the needle was about to penetrate my jugular…daylight.

I sat up in my bed, consumed with panic and alarm unrivaled at any other point in my life. I looked around for the creature, but there was nothing but clear blue sky outside my window…and my cat casually grooming himself as he relaxed on my bedspread, low purring coming from him at extended intervals. The sweat that covered my body was soaking through to my mattress and my heart was still thumping as if I had been running a marathon in my sleep…but calmness soon washed over me as I figured it had all been nothing more than a dream, a ghastly one which I hoped to never live through again.
Shaking my head, I put my feet to the floor so I could get up and start my day. My phone had multiple missed messages and it seemed as if I had been called in to work early…but due to the extreme terror I had just lived through that was the least of my worries. All I wanted was a hot black coffee and a cigarette as long as a pencil…but first, I had to wash up. The odor of sweat in my bedroom could be likened to a locker room or the aroma of an unwashed ne'er do well who hadn’t showered in weeks.
I soon went to the bathroom and brushed my teeth and gave myself a quick “hooker’s bath”, washing the important parts of my body as I still contemplated what the hell brought on my night terror. My dreams were usually peaceful and such nightmares were an uncommon thing for me…but again, I was just happy that it was over.
As I was leaving the bathroom, something caught my eye in the mirror. At first I thought I was seeing things, but on closer inspection I realized there was a small puncture hole in my neck. As I realized the severity of this horrid truth, a serpentine voice could be heard pulsing through the atmosphere.
“…Thank you!”
And at that moment…I realized I may never sleep again.

END

Fiction: "The Silence Of The Donairs" by Devin J. Meaney

The Silence Of The Donairs
By: Devin J. Meaney
Inspired by: L Lorne Tompkins

The aromatic wafting of herbs and spices permeated the air within Silencio’s Pizzeria, a “mom and pop” shop located in North Sydney, Cape Breton, Nova Scotia. The fragrance of pizza, garlic fingers, chicken wings, burgers, and the famously known Cape Breton donair was prominent in the shop’s dining room as dozens of patrons heartily ingested the delicious offerings brought forth by Bill Silencio and his highly adored recipes that kept many an islander happy and well fed.
It was coming to the end of a busy Saturday night and Bill was working in the kitchen preparing an order of the “special” donair that was Silencio’s main menu staple. One of his most valued customers, known only to Bill as Clarice, was waiting patiently at the counter for her much anticipated blast of flavour and freshness. She had just gotten off work, and she was as famished as a plant worker after a large shipment of shrimp…a feeling known to many blue collar men and women in North Sydney and surrounding areas.
When the order was finished, Bill brought the donair to the counter in a cardboard box and happily greeted Clarice with a smile.
“Why hello Clarice…nice to see you again. A long day at work, eh?”
Clarice just nodded and made some casual banter. Just before vacating the shop, she looked to Bill and shot him a beaming toothy grin.
“I’d like to know what you put in this stuff. The men at the station go screaming mad for it. And the sauce is absolutely to die for!”
Bill chuckled and waved a final goodbye, but he was soon back to work in the kitchen. The shop would be closing in under an hour and he had a few more orders to complete before Saturday night came to an end. After three more orders of garlic fingers, two dozen chicken wings, and a meat lover’s pizza, Bill flipped the sign on his door from open to closed. After about twenty minutes, the last patrons of the night exited the building, and he was once again all alone in the dimly lit pizzeria. He quickly did a final cleanup of the kitchen, washed the last remaining dirty dishes, and sweeped and mopped the floors. Just after finishing up in the kitchen, he went down into the basement to check on his “food supplies”...the well kept secret that Bill Silencio aimed to take to the grave. After close inspection, he deemed Sunday’s supply fit for sale…and the sound proofing of the walls and basement ceiling made damn sure that nobody heard the screams.
The shackles that were strung up in the basement hung as a symbol of a wealth of nefarious deeds, and the faint whimpering coming from the back corner was but a mere tip of the iceberg when it came to the truth about Silencio’s. Rita MacNeil could be heard (or “not heard” due to the sound proofing) pulsing through Bill’s speakers as he started his ghastly work, and the mumbles of Steve Murphy were present in the background…but Bill was not paying attention to the T.V. He was preparing a donair spit for the coming day…and the whimpering from the back corner would not last through the night.
Just before going back upstairs, Bill yelled as if he was about to start singing a song.
“It puts the sauce upon its skin or else it gets the spit again.”
But the spit was inevitable. The whimpers were destined to go as silent as the donairs Bill served, and the patrons of his shop would be none the wiser about the grisly truth surrounding the delicious and spicy delicacy. The secret ingredients would remain a mystery and Silencio’s would prosper for many years to come.
Clarice was right. The sauce truly was to die for...