Thursday, July 13, 2017

Artist/Publisher Interview: KELLY GORDON by Dave Wolff

Interview with artist and publisher KELLY GORDON

We recently met through shock rocker Demon Boy whose upcoming CD you designed the cover for. Tell how this came to be.
Well, I have to start from the beginning. I met the Horror Rock Lord, Demon Boy back in 2014. It was at an event called Eternal Con, located at the Cradle of Aviation Museum in Garden City on Long Island. Before the events of Eternal con, I haven’t heard about Demon Boy nor heard his music and I love hard rock. I’m into Kiss, Alice Cooper, AC/DC, Guns N’ Roses, Queen, Disturb, and even Metallica. I can give you a long list of music I listened too through my years. But needless to say the first time I seen Demon Boy was a promo post on Eternal Con’s event page on Facebook. I was intrigued but did not think about meeting him at all. I was more focused on selling and promoting my artwork. I am a freelance graphic artist and I draw a lot of fan art from Anime fandom. Mostly all the mainstream Anime characters like Dragon Ball Z, Pokémon, Mega Man, you get the point? Plus I self-published my own comic book, “Jus Blaze, Legend of the Fiery Fist!” I was going to promote its second issue which I just finished printing.
So again, I was focused on my artwork. So the first day of the event me and my wife Jennifer who is also an artist arrived and gathered our badges and was told where to find our booth for the weekend event. Amazing how destiny works. Demon Boy was also on the same floor with us. He was right next to the elevator of the floor. When I saw him in person I was very impressed with his ensemble and his entourage. Without an exchange of words with this man, I told my wife, “I guarantee, before the day is over me and this Demon Boy will meet and chat.” And sure enough, we have. He was conducting video interviews with everyone on the floor that he called Demon Boy TV for his YouTube channel. I appreciated him for the compliments for my artwork and assistance he offered promoting my latest comic book during my interview.

What about Demon Boy’s persona and work ethic did you admire?
I liked his style and was fascinated about his background, him being a musician. I thought he was a Cosplayer (laughs). I, who loved Horror fandom and Rock N’ Roll, could not resist knowing more about him. He hooked me up with a CD of his music and I loved his tracks. I Kissed a Dead Girl, This Halloween and my favorite, Ravenous! So I invited him to perform where I work at a local Library on Nassau County Long Island, as a Graphic Artist and Art Director for an event I call EMCon Animefest. It’s a two day convention at the East Meadow Public Library that been running annually for several years now before our shortened summer hours take over. It has all the practical happenings, workshops and celebrity guests you get at any convention and the best part about it, it’s FREE!
We do a Halloween party for teens/patrons each year to help promote the affair for the upcoming event. Demon Boy was truly perfect for such an event. He is truly the Rock N’ Roll Horror Show for our attendees. The light show and the props he brought over, the teens loved it. Demon Boy was even nice enough to make a music video from it as he brought his cameraman to be involved. You can find that on his Youtube channel. It was absolutely brilliant since Demon Boy expressed to me he wanted to reach out to a new broad audience of youths, especially since he is promoting his new comic book. He asked me if I was interested taking over the mantel in becoming his new comic book illustrator. I softly declined since I was way too busy due to other freelance jobs and personal projects. I did a comic book cover for his revamp issues two years ago, but that was the only extent up to now.
This year I had some time to work so when he asked me if I could design his next album cover, and how he wanted it, DEMONIC STYLE with a GRAVE YARD I could not decline. Like I said, I love the Dark arts, Goth and fantasy Hell Bound fashion. It was fun to draw Demon Boy once again. This time I set the level a few notches up compared to the first time I drew him. It was a graveyard atmosphere, with Demon Boy centered with a long slithering tongue, like a snake, holding on to a demonic Goth looking chick. Skully one of his dancers was in the background with ruined tombstones scattered about. Dark clouds and lightening to offer that feel that represents what Demon Boy is all about. It was fun and there will be more artwork of Demon Boy in the near future. Believe it!

When did you begin drawing and designing artwork? Did any artists inspire you around the time you started?
I began drawing at a very young age. I couldn’t even tell you what age I was. But if I had to take a guess, maybe six or eight years old, if not younger. It was introduced to me by my mother. She is not an artist but she did show me how to draw stick figures at the time. Most of my artwork at the time was highly influenced by cartoons mostly. I started designing my own characters and artwork by my preteen to teen years. When I was in middle school I used to get requests from my friends and kids I knew at school on what they wanted drawn. Could have been from an established character on something they wanted personally designed. I also used to draw my own line of comic books. I called it KG Comics with the use of my full name initials. It would mostly be gag humor of cartoon drawing of me and my friends having wacky adventures. They would get a kick out of reading them during lunch period in school. Then I also drew a series of action comic books. Car chases, gun shots with heroes and villains. That was always fun with a little bit of fantasy to go a long way with a lot of imagination.
Back then as a young man I really didn’t look into who were the creators of the cartoons and comic books. I knew what inspired me at the time when I was a young man still drawing and that was the Saturday morning 80’s to 90’s cartoons. I remember getting up as early as 6 a.m. to noon and watch everything from all the local channels before Soul Train came on at noon (laughs). But if I had to give some shout outs, I would mention, Jim Henson first off. His fantastic designs of fantasy of the worlds and creatures he created at such a genius level of puppeteers for that Era. Marvel Comics, like Spiderman, I have to give it up to John V. Romita Sr. and Todd McFarlane for his Spawn series. And of course Kevin Eastman for creating Teenage Mutant Ninja Turtles. And a huge, HUGE shout out to Ms. Elaine Goldstein my art teacher in high school who took the time to help me get into Fashion Institute of Technology. She wrote me a brilliant letter of recognition and assisted me on my portfolio. She took a very personal interest in me to support me on reaching my goals to become an artist that I am today.

What aspects of the superheroes you were fascinated by helped influence your drawing?
So many come to mind. But to summarize it all to a small package, it was movies as well as comic books. For example, Robo-Cop, the 1980's version not the reboot. Action Jackson starring Carl Weathers. Rappin' starring Mario Van Peebles who plays a rapping Robin Hood who steals from the rich and gives to the poor. The Last Dragon starring Taimak who plays a young black male in New York who knows martial arts and is trying to attain the same fighting skills as the Kung Fu Master known as Bruce Lee. As you can see a lot of the movies I just mentioned stars multicultural characters as the main protagonist and they reside in city landscapes. Just like my comic book, Jus Blaze - Legend of the Fiery Fists also showcase an black male who roam the city streets of Brick City with the abilities to manipulate fire with his fists during street combat. A lot of the stories I write and draw always have an urban feel to them. Growing up, my main characters always were multicultural. I always got enjoyment watching or reading a story that starred a person of another race. It was rare in my days to witness without seeing the thug or underworld criminal cliché black male character. I am happy to see main stream like Marvel and DC take more advancement to introduce more super heroes and protagonists to the audiences.

From what I have read of vampire lore and legends, many of those come from multicultural sources. Goth is also a strongly multicultural lifestyle. Have those ever influenced your work?
When it comes to Vampire Lore and other legends I know they do not originate domestically so I cannot debate on what you mention about it being multicultural or not. But growing up viewing movies, television series as well as illustrations, most characters like vampires were always showcased Caucasian. The Goth style does not define me but I do admire it enough to utilize it as a tool in a few of my designs if needed. Thus reeling back one of my clients, Demon Boy. Even though I am highly influenced by anime, he still hired me and I was still be able to give him those dark horrific traits he loves. From the fangs to the dark classic garments I learn the style through watching a lot of horror movies like Interview With The Vampire with Tom Cruise and Brad Pitt.

An example of this that has gone into comic books and movies (also TV for a brief period) is Blade. Have you seen those movies and caught it while it aired on TV or read any of the comic adaptations?
I know of Blade the character. I never read the comic books, but I did see all the movies and TV series. I was really intrigued with his background story of being a black male Vampire who hunted down other Vampires. Blade being a hybrid or other words "Day Walker" that gave him such an advantage over his enemies.

As another example of what I am referring to, the From Dusk Til Dawn movies and TV series show vampire legend from a Latin/Hispanic point of view, with snake vampires or colebras as they are known on the series. Whether or not you’ve seen it on TV, what do you think of such an idea?
Never seen the TV series but I loved Quentin Tarantino's From Dusk Til Dawn movie. It was raw and edgy and I specifically loved the characters and cultural ethnic design of the Latin Vampires. Also the human cast was not bad at all. They had an all-star team of actors. Just to name a few George Clooney, Cheech Marin, Fred Williamson, the BAD ASS himself Danny Trejo and Salma Hayek as the Vampire Queen Satanico Pandemonium. That’s not all. The movie was entertaining from start to finish. It’s on my top Vampire movies on my list right next to The Lost Boys and Fright Night, the 1980's version, not the reboot. So yeah, I do love the idea. It give the Vampire lore and story a very refreshing setting. It offers a broader ideal of this mythical creature instead of the cliché slick hair and cape version we all grew up with. I would probably have to say From Dusk Til Dawn may have broken the mold on that one. I would surely tell anyone who have not seen it, to please do. They are missing out.

I’ve read a few internet articles about the original creativity and multiculturalism of goth, including some about African American goths. Have you come across any of those while surfing the internet?
I always believed goth was a style of rock music or a style of a person. You know, the black clothing and white pale make up with Frankenstein boots and the smell of lilac incense. I have met a few African Americans who had the traits of being Goth but that is how trends work. Trends do not have gender or race, it just who you are and who you want to be. So looking up or conducting research on such subjects never crossed my mind. I am open to other cultures and styles. Being a black male you would think I would be heavily into rap and reggae. Even though I am into hip hop culture, I am not defined by it. I love rock, I love heavy metal and I even love alternative music. I remember when I was a little kid like thirteen and listened to college radio on my pocket radio. Learned about groups like Guns and Roses, Nirvana, Led Zeppelin and so much more. It opened my eyes to a whole new world for me.

Everything becomes a trend when the mainstream can gain from it, so I prefer working on a grassroots level. I like many different genres (goth, celtic, ska, psychobilly etc) but I don’t preach about being open minded. I just listen to what I like.
It’s like with music, people and friends would expect me to love rap and hip hop because I am a black American but that is not the case. I do love the music and trends but only to an extent. Just because I grew up in that culture I am not stuck in a box with it. I had expanded my mind to other things and drank different flavors of Kool-Aid of life and stretched to other fashions and styles. But only to what relates to me and what I like. I do not consider myself as a member of any culture or characteristic 100%. I am more of an 5%’er to be honest. I am a man who loves buffets not just one choice on the menu (laughs).

How often do you make personal appearances in the convention circuit? What is the yearly extent of your travel?
Since I am an Art Director as a profession at the East Meadow Public Library, I do have a 9 to 5 weekly job. So I’m not dependent on conventions to pay the bills. It’s more of a hobby and to have fun with my peers (the fans) and art colleges to be honest. And to make a few extra bucks isn’t bad either (laughs). I know many artists who DO depend on the convention circuit and travel across the states. Me, I don’t do such travelling to promote or sell my work. The extent I would travel would be New York, Upstate New York and Northern New Jersey. I’ve been invited to out of state cons before but I always decline. I always worry I’ll probably spend more money on travel and hotel expenses alone, then have to worry about making my table money too. So my personal appearances at conventions are limited to a local span than most artists. I hope to someday to have the popularity to be invited as a guest at out of state conventions with all travelling expenses paid. But I can only dream. But the conventions I go to really rock! Shout out to New York Comic Con! Eternal Con! Winter Con! Big Apple Con! Those are the BIG wig conventions I attend. The smaller cons are really fun! Small, and personal and fun! It allow you to really get to know your fans without the rush and loud noise that they cannot hear you when you speak. I mostly do a lot of library conventions like Tosho Con at the East Orange Library. Also Min Con at Mineola Library as well among a few others. I also want to state I also conduct my own small convention called EMcon Animefest. E.M. stands for East Meadow for short. I’ve been organizing this event for seven years as this year on Saturday and Sunday, May 20 to the 21st. A two day event that has all the potential of a real convention. Workshops, lectures, performances, celebrity guests, anime concerts and games and artists alley…the works! And did I mention, it’s FREE (laughs)? We serve the need of the pop culture fandom to our patrons and they get to go to a local two day event convention and dress up in cosplay and meet people with the same interests. It’s a lot of work but well worth it when I get such gratitude from everyone.

How many contacts have you made at the larger and more intimate conventions until now?
I've received many contacts among my travels to other conventions. I'm always looking for the new talent to invite to EMcon Animefest. Larger events, for example New York Comic Con, seem to have more celebrities and groups to go after. If you don't mind waiting for an hour or two, which sucks. And you’re not always guaranteed to get any contact info, not even an email. To name a few, voice actors like Kyle Hebert, Vic Mignogna, and Quinton Flynn. Smaller cons are awesome! Especially if they invite celebrity type status. But even if they do not, you can always meet new talented artists or musical groups. Like I mentioned smaller cons go by a different flow. You can actually breathe and talk to people. Especially when I am looking for commissions at my booth. Less competition too (laughs).

Vic Mignogna is appearing in the fan made Star Trek series Star Trek Continues. If you’ve watched it, what is your take on the acting and filming quality? Are fan run series a good thing in your view?
I only heard about his fan made Star Trek vids but sadly never checked it out. I may in the future though. I think fan run series are fun. But only if they’re done right with the quality and respect to other fans to enjoy. Viewing others’ perspectives and highly imaginative stories or style of your favorite characters. I'm not currently watching any fan made series nor remember any at this point so I cannot offer any referrals.

Did you discuss any possible collaborations with Kyle Hebert, Vic Mignogna, and Quinton Flynn or are these actors you crossed paths with this far? Who are some of the local actors you would consider working with?
Unfortunately nothing has come to pass on anything yet, but it would be an honor to work with any of them. I was just luckily enough to work with them for East Meadow Public Libraries' Anime Convention. I really have no special list of people I would love to work with to be honest; there are just so many and I really do not want to leave anyone out just in case they are reading this, thinking I do not want to work with them (laughs). I want to work with everyone and anyone who would love to work with me. I figure if they love my art style and dig it that’s the first step to begin a beautiful friendship. I worked with Lutenist Christopher Morrongiello. He is an awesome guy. I worked on a CD cover a few years back and print work when needed. He travels cross country and across Europe on tour with his group. I did airbrush and touchup work for a model agency called One Step 2 Model. They would create calendars for expos to promote their clients. And mostly local Rappers, like Lu Rock More, Milot, Corparatz Ent and so many others. I would love to get into more character designs and maybe one day card game designing as well. There were people I met at previous conventions who wanted to work with me but those deals never follow suit. So I am concentrating on more on my stories and character designs for future books I plan to self-publish.

What did you have to work with when you started running EMCon Animefest seven years ago?
EMcon Animefest is an event to celebrate the arts of Anime pop culture. Now, I have to admit EMcon today has got a lot bigger than seven years ago. And of course that comes with age and time. But to be honest this was not my original idea. I really had no vision or plan to create an anime con. Where I work, at the East Meadow Public Library, the head of the Young Adult department at the time wanted me to assists her to create this small con day. I gave her a list on what I suggest as programs, like video game tournaments, anime J Pop concerts, drawing workshops conducted by me, anime screenings and animation workshops and so much more. Only suggestions. Well she was very distressed over the idea where it came to the budget cost so it seemed EMcon was not going to happen. Luckily my Program Director, Mrs. Jude Schanzer loved the idea and found a way through grants and sponsorship to make this happen. To stay at a small frame of budget, I, myself conducted a drawing workshop with the teens. I used my wives character as the icon character for EMcon and since she had just finished publishing her second book, Reign Star around that time I invited her as a special guests alongside other artists I know locally. Rebecca Friedman aka Zanny Lane Graphic Anime who I met at the Big Apple con and other conventions to conduct a hands on animation class. Joe Liotta a speaker who is also an artists did a lecture on Ninja's lore and fantasy. My Program Director knew and invited a Taichi Master Jessi Teasely who came by with his students and did a demonstration outside the library. We also had Anime screenings of various anime's. The Young Adult Department held the video game tournaments with equipped consoles. Then end the day with our cosplay contests. We only had three contestants which was okay since we had only three prizes so it worked out. The Friends of the Library, a volunteer organization group helped out with refreshments for the teens. Our first year in 2011 was very successful. We had received over 250 attendees that day. So we decided to keep it going. The next year we extended to two days.

How much have you seen EMCon grow by word of mouth and advertising since the first time you held it?
When we started back in 2011 we had a rough estimate of 250 attendees that day. In 2016 we sky rocketed up to over 4800. Granted the second EMcon we changed it to a two day event but even on that weekend we had over 750 attendees. So it build quite nicely, especially for what few would consider a Library program. Many people love this convention and have a need to come to it every year. Starting two years ago we have a Queens district high school who has an anime club and they talked to the principal to set up a school bus to transfer them and any teen who is interested to come to this event. This year we had another bus from Yonkers. We get people as far as Riverhead on the Island and New York and New Jersey outside of the Island. When it comes to artists for our Artists Alley I get emails from people reside in Canada. So we are looked at as a professional convention in so many eyes. Patrons of all ages stop me during EMcon to thank me for having this event as they come every year. They truly enjoy the event and I am happy to provide such service.

Has EMCon been covered in local and national press during its run? How much word of mouth exposure has it gotten?
EMcon been covered in local newspapers like the East Meadow Herald for several years and Newsday for two years straight. We were mentioned in digital and paperback magazines like Genki Life and Otaku USA e-News. Social media podcasters have been helpful; the Grindhouse Radio Podcast on IHeart Radio starring Brimstone. Also 1210 AM Radio with a segment program called It Came From The Radio. I do not know the extent of word of mouth, but due to it running for over seven years and the same teens who were going from the very beginning have all grown up and still come and new faces walk through the door every year. I am sure people are talking about the wonderful event. I even had schools from Jamaica, Queens and Yonkers set up school buses to make trip arrangements to this free event. They would have Anime clubs who would talk to the principal and school board to set this up to travel to the East Meadow Public Library. I’ve had teens come to me on my ventures to conventions and know me they would always tell me they can’t wait from EMCon and they will tell their friends. So I’m sure word of mouth is absolute.

Do you want EMCon to be a major Long Island event like Haunt Faire and I-CON? And possibly a major New York event like New York Comic Con?
Not to toot my own horn, but I feel after seven years of conducting this event, I feel strongly that we are at the same level of Haunt Faire and I-CON if not larger. I know a lot of people may underestimate us due to the fact we are just in a library. But we are so much more. Not only are we an educational hub site for the community but we offer a service to provide to our patrons the same quality of programming and guests that we know our attendees will enjoy. We have the experience, the years to back us and the followers who look forward to our annual convention. Our slogan is the "The Largest Growing Small Convention on Long Island!" EMcon offers video game tournaments, drawing workshops with local artists, writing workshops with scholar authors, professionals that are heavily in the pop culture community. We have celebs and musical guests like the original Sailor Venus, Susan Roman, Kyle Hebert and Eileen Stevens and Hitomi Hime J Pop Music artists, Nova Drop and Tha Gata Negra. Preparty to open the two day celebration weekend. Then end the weekend with our cosplay contest where comparison to our three contestants on the first year we have over 50 participants. Do I want it to get big as New York Comic Con? It might be nice but then you forget the bone structure of why we conduct this convention then become a commercialized entity that would lose itself. I have to admit the convention has got to big now that we had to rent a tent to addition for more room. The building we utilize EMCon in has overwhelmed the capacity so there were talks about moving EMcon Animefest to Eisenhower Park if it gets too big. So does EMCon have the potential to reach New York Comic Con status? Only time can tell. But I have informed my director and admins that I will stop at our tenth annual event. Figured it'll be better to end at a high note. 

How much work have you done on your fiction and book projects? How soon do you plan to start publishing?
Well so far I have two self-published books already on sale as we speak. Jus Blaze – Legend of the Fiery Fist! Jus Blaze is an Urban street action packed story about a man with no past and memory with the ability to manipulate fire with his fists during street combat. If you love Dragon Ball Z and Street Fighter with an urban feel, you'll love these issues. I get complimented all the time and I get a following asking about the next issue each year. You can find issue one and two at www.comicfleamarket.com. Look under the Comic Book category and click Anime. You should find my books there. I am working on issue #3 and hope to get it out soon. I have the story board and script ready just have to begin production. Due to having a 9 to 5, marriage, real life, other art projects and having a child, things kind a set me back slightly and slow down my steam to create an entire comic book. Remember, I am a one man army (laughs). I do the writing, the illustrations, coloring, editing, and also front and back cover work. It’s hard work. I have other books in mind I would love to start on, but I have to finish my plate with Jus Blaze #3. Hopefully I will have it out for 2018 EMcon Animefest. Just look out for it.

How much of the storyline of Jus Blaze issues #1 and #2 do you want to discuss before the third issue is out?
I can give you a brief summary of the first two issues. I won’t give out to much so it would be too much of a spoiler for your readers. The story begins at an urban city street of Brick City at night time. We see our main character Jus Blaze standing on top of a project building looking at the city lights in the distance. He would be quiet and surreal as if he was in deep thought. This would be his introduction as he is greeted by gang members who control and run this part of the district. Of course this would be the part Jus Blaze where he would demonstrate his blistering, scorching abilities as he makes waste of his foes with ease. But then he would pass out due to using too much of his powers which takes a toll on him. He would become unconscious and that would give us time for a flash back. You see, the origins of his powers are not explained upfront and will not be as our protagonist does not even know himself why he has these abilities to begin with. What had happened, five years ago was a huge explosion ignited in the middle of downtown that killed hundreds to nearly thousands without any clarification of how or why. Simultaneously it seems our hero has lost his memories and feels for some reason he has his fingerprints all over this travesty as he keeps getting visions of fiery rage and people screaming. So he does not even know if he is a hero or villain at this point of the story. The local government had just played it off as a terrorist act, but we will never know what exactly happened. Huge parts of Brick City are in shambles and still trying to recuperate from the tragic mishap. Poverty and crime rates have grown amazingly high as the people shout out for a hero. Jus Blaze is a lone wolf and would rather have it no other way, but for some reason he is thrown into situations that makes him get noticed and soon the people will have to decide if he is a hero or a menace to society. Also we introduce our female character Wendy who needs rescuing and our main antagonist, Angel “Scar Face” Martinez. Angel is no angel, far from it, as he is known as Psychotic Gangster who is harassing Wendy. One night Wendy is leaving work and is confronted by Angel and his #1 thug Grunt and Jus Blaze accidently runs into the dangerous and sticky situation. So from there Jus Blaze has to decide should he ignore it or become a hero and stop this crime. Of course I leave it with a cliffhanger and you have to see what happens in issue two. Let’s just say it’s sort of resolved in issue two but not exactly. This outburst and confrontation is just round one of many to come. No spoilers but let’s just say, right now he is fighting Gangsters and thugs, but as the adventure continues more imperishable forces will arrive to test our hero’s abilities to the fullest.

How much real life inspiration did you borrow from while developing the storyline of Jus Blaze? Do the characters or settings have any references to reality?
The setting and environment where Jus Blaze roams are urban and ghetto, like scenes from my life when I lived in the South Bronx. Somewhat poverty, graffiti on the walls and brick buildings. I call it Brick City; a few people may get confused that I am talking about Newark. New Jersey. I did not even know they called it Brick City. I found that out through a patron who commented on my book at a convention a few years ago. To me the hardest, most ghetto city in America was the Bronx. I grew up there as a kid to a young adult before I moved to Long Island. I had many trials and challenges as a kid. Bullies, drug dealers and hood folks. There were many homeless people I ran into there. There was a homeless man living under the staircase of the building I lived in. That freaked me the hell out as a six year old boy. Many families including mine that were getting assistance from the government while my mom was going through school to become a registered nurse. I will be making a note of that in my books due to the violent explosion that happened that left many families homeless. I am not stating everyday was a war zone in the Bronx (laughs). Far from it. But I am glad my mother took me and my brother from the city and into the suburbs. All my close friends I grew up with are either dead or in prison. Only a small few who I still keep in contact have moved out. It was a good decision to leave. This explains more of the world I created for Jus Blaze. The characters are another story. Jus Blaze, though he is the main character during this part of the story, is most likely a cookie cut antihero. The loner. The BAD ASS who takes down the bad guy. Some ask if I use any of my personality traits for him and the answer is no. At least not yet as the character has a lot more development that has yet to be done. Too soon to tell, unfortunately. There are some side characters that do. There is a guy named Reiji who is Wendy’s friend and who wears his feeling for her on his sleeve. But of course she does not see him that way. An average black male, pudgy with a good heart. I see myself in him at times and place some sort of similarities appearances wise? The goatee and rings on every finger, the way he dresses, yep, that’s me (laughs). Wendy is a mixture of exes I dated, with my own design. Wendy is being harassed but she is no damsel in distress. She owns the toughest bar in Brick City, welds a sawed off shot gun and is not afraid to use it. She is aggressive but knows how to be a sexy lady when she wants to. Angel was molded from various bad boys I grew up with in the Bronx. Especially this guy I knew in high school who was in a gang called the Latin Kings. He is no longer with us. He was shot and killed before his time. Hispanic, nice long hair and very handsome at times but he would have moments where he would look disgustingly ugly. He had a very small scar by the corner of his right eye. Hence I call my character Scar Face, even though it been overdone so many times. And of course there is a character to set some wisdom and set the tone down a little when need be and that would be Pops! A dirty old black man who hangs out at the bar with Wendy and Reiji. He is more of the comedy relief as he always messes with Reiji on a daily basis. He is based on my father who is an old man now.

How many issues of Jus Blaze are you planning to release as a full story? Is anyone working on the dialogue or artwork with you?
I haven’t really placed any thought on it. The way I’m directing it, it would seem like an ongoing series until the ratings went down (laughs). But if I had to make a logical guess I would have to say maybe the first ten issues would be a FULL chapter. But of course there will be a HUGE cliff hanger that will cause the story to continue as we learn more about Jus Blaze’s origins. I do all the illustrations, writing, coloring, text work, front and back cover art. My wife helps me at times with the writing aspect. This is why it takes so long for production. My apologies to the fans. I still get patrons asking me when the next issue is coming out at conventions. The third issue will be out early 2018.

If Jus Blaze was made into a miniseries, who are the actors you would want to see cast?
For a live action miniseries, I gave thought about it and I would love to choose Idris Elba as Jus Blaze if he was in his prime. I loved his mannerism and body build when he was on the HBO original series The Wire. Even though Jus Blaze is the main protagonist he is sort of a bad ass and Idris Elba played a role of an intellectual business driven drug lord in the series that would have played well. For a current choice, I’d choose Mike Colter as Jus Blaze, due to the fact he is playing a similar character in the Netflix series Luke Cage. Urban settings, wearing a hoodie and jeans fighting gangsters and hoodlum folk. It would make sense but it’ll be like watching the same show. Lance Gross from House of Payne is another choice. He was in that movie Last Fall back in 2012. But it’ll be solely on his body build. My headliner choice is Chadwick Boseman, the Black Panther from Marvel Cinema Universe, Captain America: Civil War. He is perfect. Plus the name since he is so popular due to Marvel, he would bring in the ratings (laughs).
As for the female support character and possible love interest (SPOILER, haga) Zoë Kravitz from Mad Max: Fury Road. Not sure of her acting skills to but she resembles Wendy from my comic book. Also as a second choice, Demetria McKinney from the TV show Tyler Perry, House of Payne. Not only does she have that attitude but she can offer that comedy aspect I would need to make the series fun. As for the first season antagonist, John Leguizamo as Angel Scar Face Martinez. That guy who voices for that Sloth on Ice Age (laughs)? He has played other series roles and when he gets into character he can be very animated. For a quick reference, he played Tybalt in that 1996 Romeo + Juliet movie. The way he played that character would be perfect. If you don’t know it or seen that movie, I suggest you do. They play out the film with the original Shakespeare script in a modern world. Another good choice would be Rick Gonzalez. I love him as Mad Dog in the CW Defy series, Arrow as a vigilante. He still in his prime so it’ll make sense. He would be this hot headed young gangster with a chip on his shoulder. I can literally see that crisscross scar over his right eye and cheek. Last but not least, who I think would be a great candidate to play the role as Reiji would be me! Just joking… Kevin Heart, Marlon Wayne or Mike Epps. For obvious reasons, they’re funny and would offer some classic comedy relief.

I remember John Leguizamo from Casualties Of War, Moulin Rouge and George Romero’s Land Of The Dead, so I know he is a capable actor who can handle different roles. How well do you think he would fill the role acting wise?
I almost forgot about those other roles he played. He was fantastic in Moulin Rouge and Land of the Dead. I remember Casualties Of War with Michael J Fox. Leguizamo didn’t have such a role in that film that he had in the other two films, or nothing I could remember. But to answer your question, I think he could fill the role very nicely because he is animated at times and knows how to be serious and grim when the time is right. Angel Scar Face Jr. Martinez is the main antagonist of the first segment of the story, but not really the cliché gangster villain that wants to show how badass he can be. There are many layers and shades of Angel that are ingredients to make a good cocktail that should have the reader wanting more. He is a man with many demons and had daddy issues while he grew up in single parenting with his mother, and is shunned of his existence by his father who is the original Scar Face Martinez. So all his life he knew of this powerful man who ruled the crime world while he watched his mother struggling and being ridiculed by his father’s followers. To make it worse his mother is a stripper and drug user with horrible parenting skills. He lived in his father’s shadow in poverty all his life. And if that is not the worst of it all, his father is married to another woman, has a son who is younger and is gaining all the devotion he seeks for. So you have to take all this into consideration of his background. Something like this could traumatize his youth mentally and cause Angel to have emotional issues that could sometime cause him to have no cares in the world about any of his actions. John Leguizamo seems to have very youthful facial features that if you looked at him he seems to be a very charming fellow, but the crisscross scars of Angel’s features would of course offer another tale of his characteristics. I mentioned the 1990’s film Romeo and Juliet’ he plays Tybalt who is the cousin of Juliet and rival family of Romeo. As Tybalt he displays the traits that would fit as Angel. Sadistic, brutal, with a keen eye of villainous behavior. In the movie he has an all-out confrontation with Romeo that, spoiler alert, ended with his death. But if you see the movie again you’ll see what I am talking about. Land of the Dead is another prime example of what I would be looking for. In that movie he plays a character named Cholo DeMora and another perfect moment is the conversation he is having with Dennis Hopper who I believe was some sort of Boss or bad guy business man. I am not completely sure, they have a discussion about becoming partners and Dennis Hopper’s character rejects him. That scene is perfect for the confrontation between Angel and his father. I suggest any of your readers to watch these films to get some clarity.

While image has its place, how important do you consider talent and ability when it comes to fulfilling a role? Many movies with actors and actresses cast just for their looks become laughingstock while others with good storylines are remembered.
I kind a feel both has equal importance. You can never satisfy everyone, believe me. No matter how good they look or how well the story is done, there will always be that one who will write a long blog or rant in social media about it. It’ll become an ongoing battle with the fans and critics to be honest. There are few who choose to change the look and story and make an original reboot. Like for example, Death Note, a cult classic that originated in Japan; written by Tsugumi Ohba and illustrated by Takeshi Obata. It has a very long manga and anime series plus several live action movie adaptations. Netflix has created their own series based on the manga. If you do not know Death Note, I suggest checking it out. It is about a high school student that is a prodigy of his time who finds the Grim Reaper’s notebook. If you write a person’s name in this book they die. He decides to kill off all the bad people on the planet in hopes to create a new world order. But others in law enforcement just look at this teenager as a serial killer. Of course his identity is mysterious for the detectives, especially one named L who is another young prodigy and attempts to seek him out. So most of the story just becomes a game of chess between these two. The original cast is supposed to be in Tokyo if I’m not mistaken. But the reboot series on Netflix place the cast in America; I think Nebraska. I haven’t seen the series as it is brand new and I do not have Netflix (laughs) The main protagonist who finds the Death Note is named Light Yagami. In this reboot he is named Light Turner. You get the idea. I do not know if this will become a success; we’ll have to wait and see what the critics say.

Do you have ideas in mind for future projects you want to mention to close this interview? Any acknowledgements for people you have worked and collaborated with?
There are several art colleagues I would love to work with but unfortunately schedule conflicts are making it difficult to work with others. But I will say I am happy to announce I will be working on a reboot graphic novel with my wife, Jennifer Scrimenti aka JScribble. She has four books under her belt named Reign Star. It is about a Galactic Princess who had to leave her planet as an infant while her people were annihilated by a Tyrant King named King Scythe. She is a Rubian who has a gem embedded on to her forehead, the standard attribute of her people and the source of her power. The reason the Tyrant is slaughtering them like sheep is he wants these gems as his own. The story mainly follows the Rubian Princess Rainy; every time she is sad or cries it creates a rain shower. Eventually Rainy figures out who she is and attempts to discover her purpose in this new life after the loss of her people. Of course she will seek vengeance upon King Scythe, but before she reaches the “BIG BOSS” of this game she has to go through many trials in life to succeed. The book was self-published in 2007, full colored with over 50 pages. There was supposed to be a fifth book that was never produced. She is unhappy with the art since her skills have much improved since then. She asked for my help doing most of the illustrations as we will collaborate on the book. We do not know when it will be out. We are thinking about creating a Kick Starter page once production has been half way complete. But if your readers want to check out the original tales of Rainy the Rubian Princess they should go to Comic Book Flea Market online, look under comic books and anime to find Reign Star. It’s action packed with a badass chick with a huge sword slashing bad guys. In the first four books she is a child, but the changes we are going to make is having Rainy be in her early twenties with flashbacks of her youth, like Arrow on the CW. It’ll be more epic with a lot of conflict and romance. It’ll be fun to get started. The latest once we begin production would probably be around Halloween or after the New Year. In the meantime character designs and promotional posters are being made to sell or give away with purchases at conventions. Right now it’s all about promoting to get the word out and we hope to get enough backers to invest in this awesome story.

-Dave Wolff

Tuesday, July 11, 2017

CD Review: THIRTY SILVER Welcome Home

THIRTY SILVER
Welcome Home
Recorded with Dave Sage at the Puzzle Basement in Charlestown, MA.
Mixed and mastered by Dan Bee at Bee Sounds, Iowa City, IA.
Having formed in 2014 and released a series of full lengths, EPs and singles, Boston, Massachusetts’ Thirty Silver released their seventh effort Welcome Home last month, which I was informed is their last as they are officially disbanded. They played their final performance in Manchester, New Hampshire on June 25 before calling it a day. Guitarist/vocalist Drew Smith is already working on a new blues/punk project and drummer Joe Z. is continuing in the Massachusetts horror punk band Negans. You may have read about Thirty Silver when Abyss Forgottentomb reviewed their two song sampler from 2015. She made a memorable analogy for it likening those songs to Tool meeting Angus Scrimm in Phantasm. She was impressed with Smith for the powerful emotion he channeled. On Welcome Home he still sounds similar to Tool’s frontman. I’d take this further and say he has twice the belligerence and brooding of Maynard James Keenan. One should in order to accommodate the musicianship. This is concurrent to Soundgarden and Sonic Youth, before grunge became radio friendly and lost the potential that broke it through. Unlike Tool the songs are less murky, more distorted, raunchy and unsightly. That there is no bass in this mix makes the material sound more garage than usual. From the beginning it has been Smith and Z. and to my knowledge they never hired a bassist. Whether or not this was a good move is for the listener to decide, and there are some moments on this album when a bass would have enhanced the material. The last song Welcome Home is a case in point. Smith sings hypnotically when it’s called for and raises his voice when appropriate. The guitars here are notably sloppy, but I think this is intended to establish Welcome Home as no third-rate pop punk. The lyrical images of black angels, devils, riding through darkness, isolated longing, hangmen and holy dust further separate the band from what college radio deems safe for the masses. In the album’s final track mentioned just above there is a feeling of going home after an endless journey, a fitting theme to close the CD with especially when you arrive at the very end. -Dave Wolff

Track list:
1. 24k
2. Christmasland
3. Black Angel
4. Hangman’s Joke
5. Pins + Needles
6. Holy Dust
7. Father
8. Fashionable Fascists
9. Welcome Home

Sunday, July 9, 2017

CD Review: DEATH THE LEVELLER Death The Leveller

Independent
This band has a unique sound. There is almost a feeling of eeriness when you listen. A Call to Men of Noble Blood is my favorite track on the EP. Listening to it kinda makes me think of Game of Thrones. It is definitely medieval. Death The Leveller - Gone Forever seems to ask the question: what next when you go? What do you really leave behind? The entire EP (Death The Leveller) is one that I recommend. It makes you feel the pain and passion felt by the musicians. The vocalist is smooth but has a wide range. Guitarist is tight, especially on solos. The bass is solid, and drums are hard hitting. The writing is deep. You can hear attributes of doom metal, yet it is melodic. Altogether a great listen. Death the Leveller was formed in 2016, their self-titled debut EP was released in June 2017. They are a doom metal band from Dublin Ireland. Denis Dowling-vocals, Dave Murphy-bass, Gerry Cline-guitars, and Shane Cahill-drums. -Deanna Revis

Track list:
1. A Call To Men Of Noble Blood
2. Death The Leveller - Gone Forever
3. The Day Before The Night Of Broken Glass
4. How To Break Pernicious Spells

Song review: INDIGNITY Consumed By Anhedonia

Consumed By Anhedonia
Taken from their upcoming album Realm of Dissociation
Recorded, mixed and mastered by Daniel Azar Arendarski at Studio Orion
This brutal death metal band from Poland formed in 2014 and released their debut demo Decrepitude in 2015. As good death metal bands do, they take their collective inspirations (in this case Cannibal Corpse, Suffocation and Decapitated) and make them sound as new and vital as when those bands’ own debut recordings came out. After starting the band guitarist Miras and drummer Tarki set out to find a vocalist to make an impression on death metallers that would not soon be forgotten. It wasn’t long before they discovered such a frontman in Kilas whose style is on par with George Corpsegrinder (CC), Ross Dolan (Immolation) and Will Rahmer (Mortician) in terms of depth, projection and how much wind is gathered from deep in his guts. Thrashers with an ear for distinction in DM vocals will hear without explanation how well he has achieved the physical discipline needed to perform effectively. The freehand blast section opening Consumed By Anhedonia establishes the band’s capaibility to play fast while preparing the listener for the lyrics that announce a new world order is on the distant horizon, warning you not to be blinded by media distractions. As the band provided lyrics with the video you can follow while listening. The chorus chosen as the first verses joins a painfully slow dirge followed by the blast you heard beforehand. This is arranged in classic death metal fashion, a similar approach to the songwriting of bands who warned of religious principles preached by greedy hypocrites. The guitars weather those transitions without missing any cues and the bass keeps up with equal precision. Most of the song is built on the dirge from the beginning, especially toward the end. A fitting soundtrack to the lyrics. The next verses equate the illusion of comfort and the illusion of rebellion stemming from the same deception with no real opportunity for change. This point is driven all the way home by the final lines. All this makes for a potent song to help prepare for the release of the album. -Dave Wolff

Saturday, July 8, 2017

Song review: GRAVEWARDS Subconscious Lobotomy

Subconscious Lobotomy
From their debut EP Subconscious Lobotomy, recorded late 2016 and released April 2017.
Recorded, mixed and mastered at Made in Hell Studios, Athens, Greece.
Logo by Moonroot Art
Gravewards, a death-thrash metal band from Greece, preview the title cut of their debut Subconscious Lobotomy at their Youtube profile. The four song EP was released on cassette format last April, with a run of three hundred copies. The three piece was formed in 2015 and are currently with Necronome Records. This one track from the EP made me want to hear the rest of it. Influence-wise, Gravewards draw from early U.S. death metal (Obituary, Autopsy), early U.K. death metal (Napalm Death, Paradise Lost) and 80s thrash (Slayer, Exodus) consolidating it all into four skull crushing minutes with melodic riffs and production that is polished but not excessively so, creating an impeccable integration of slick guitar, distorted bass (I was reminded of Cronos and Angel Ripper), primal drums that drive each time change home and resonant vocals much akin to ND's Barney Greenway. The guitar/bass progressions are in perfect sync from the King-Hanneman-ish opening riff to the groove-laden ending. The songwriting relies heavily on this dynamic with occasional fills from the drummer. There is just one blast section as Graveward direct most of their energy through the slower parts. The emphasis on melodic groove makes the song heavier and more imposing. No lyrics or visuals are provided so you’d have to ask the band if lyrics are included in the cassette package. Graveward’s Youtube profile features a time lapse video from Vojtěch Moonroot with artwork he designed for the band. This video features another song from Graveward's EP. There is no indication given of the title but the song is more DM oriented with more thrashy crunch in the breakdowns. As I listened I began to like it even more than the previous song. Moonroot’s Youtube profile has more time lapse videos of art he designed for the bands Druadan Forest, Auric and Draugsol, with contact information. -Dave Wolff

Friday, July 7, 2017

Interview with Zorn of ZORNHEYM by Dave Wolff


Interview with Zorn of ZORNHEYM

Before starting Zornheym you were a member of Dark Funeral. What led to your parting company with them and how soon afterward did you start the band?
Zornheym was the stage name I used then; now I've shortened it to Zorn for myself to differentiate from the band name. Sometimes bands just naturally reach a time when members need to go separate ways so I took the opportunity to start focusing on my music, my art, my ideas and my passion for playing the guitar. I am very happy with the path that Zornheym has taken me and I have really grown a lot as a musician/composer since I started working with our debut album.

How many bands were you involved before Zornheym? How much of a learning experience was working in those bands? Did you carry that experience into Zornheym?
I definitely think of and see Zornheym as a band. It is founded by me and I build the foundation for the music and the concept, but now I think we are the point where everyone is contributing to the band’s sound and vision. Before I played with the band you mention earlier, I played with the death/thrash metal band Devian (together with former Marduk members Erik Legion and Emil Dragutinovic). I am also in the sleeping band Aktiv Dödshjälp (together with Roberth Karlsson of Scar Symmetry). I learned a lot from Erik and Emil who had a lot of experience from their time in Marduk. I think you can learn from every experience and sometimes you learn the most from the bad ones.

How long has Aktiv Dödshjälp been active? Are any full lengths available from them?
I started Aktiv Dödshjälp back in 2004. When I discovered Tomas Lindberg’s crust band, Skitsystem, I knew that I wanted to do something in their vein. We have released two demos, two split seven inches and two full length albums. The albums are written as a trilogy with the theme “Death”, “Life” and the last one will be the “Birth” album. You can find the releases on iTunes, Spotify or order them right from their label, http://www.halvfabrikat.net

When will the third Aktiv Dödshjälp CD be released? Will it be available from Halvfabrikat?
All lot of the songs are written and recorded. However, I’m thinking of booking Wing Studios and keeping the songs but re-record everything and then add a song or two. It’s pretty much on halt since Zornheym is taking up most of my time. The songs are really good and Aktiv has always been a great way for me to practice songwriting and that is something I really enjoy doing.

How much has Swedish black metal scene grown during your time as a musician?
I think that there are a lot of new interesting bands out there. In the 90’s I wasn’t very involved in the scene; back then I still focused on learning my own instrument, so I can’t compare it to back then. Through my years I have started to get to know a lot of the people that I looked up to as a teenager. I imagine that the scene has grown and I think it’s a lot easier to stay in touch with people these days thanks to the Internet. I mean, you can basically get feedback on your rehearsal tape from people on the other side of the world within a few minutes today.

Who from the Swedish scene have you befriended, besides your former bands?
Somehow I believe that there are more bands than actual musicians in Sweden, since everyone seem to be involved with at least two to four different bands haha… It’s a pretty cool scene I think where most people know each other or know someone who knows that person in that band. So most of my friends play in different bands, some are more well-known than others, even though that doesn't really matter to me.

Does the news and magazine controversy that surrounded Scandinavian black metal still reflect on Sweden, or has it been mostly forgotten by now?
I don’t think they're as controversial as they were in the early ‘90’s, no, but that doesn't necessarily mean that people have forgotten about it. I mean there are documentaries still coming out to this day and stuff about what the scene did in the early ‘90’s.

What documentaries on black metal have you watched recently? Do you think the events from the early 90s were over sensationalized by the press and news programs?
I saw the one about the Iranian guy that moved to Norway to pursue his musical dreams. I also recently listened to a radio documentary in Swedish about the suicide and murder connected to Mayhem in the ‘90’s. I think the press work that way, they are always the harbinger of bad news and always try to enlarge it and strike fear into the average Joe.

Zornheym’s debut single The Opposed is from your upcoming concept album about the inmates being kept at a mental institution. How did you devise this concept?
“The Opposed” is our first single, the second one is called “A Silent God” and these two tracks are both featured on the debut album “Where Hatred Dwells and Darkness Reigns”. Each song tells the story of one of the inmates in the mental institution. The lyrics shows you one perspective of the story, the graphic novel will show you more and the booklet will also have the inmates’ journals written by the head doctor Dr. Bettelheim. The stories are inspired by myths, urban legends, real cases and the spiced with our own twisted fantasy. Before I wrote the first story I studied documentaries of serial killers/killers for two to three months and read a lot about different mental issues. The idea of for this album has been lurking in my head since my mid 20’s… so this is a thought through concept and that has been our aim since day one, to bring the whole concept album thing to the next level.

How did the idea to record a concept album first occur to you?
It was around when I wrote the first of the album trilogy for Aktiv Dödshjälp, “4:48”. I was hanging out with a lot of creative people back then and we used to talk about different concepts we were working. During the years I started growing the idea, feeding it with my love for TV series and movies. I've approached it like a movie that doesn't really end, where you get invited into the characters’ lives and world and really get to know them. I really wanted to do something that could expand and started to live its own life! 

How did you begin to research real life cases for Where Hatred Dwells and Darkness Reigns?
It is a mix of urban legends, our own messed up imagination and real cases. During my time at university, I interviewed a lot people. I've also read about a lot of real cases, listened to podcasts, and two to three months before I wrote the lyrics for the first song I watched tons of documentaries about serial killers. It’s often hard to pinpoint because the stories are puzzled of so many sources.

What university were you attending at this time? Who did you conduct interviews with?
At the time when I started playing around with an early form of the concept I was studying at Linköping’s University. I read a few courses that put me in a place where I was interviewing people that have committed different crimes and had mental health problems.

How many courses in your field were available at Linköping’s?
I read the courses as extra courses when I was studying to become a teacher. I read several extra courses for six months, I think two of them touched this subject and it caught my interest enough to make me want to go deeper.

How did you arrange the interviews you mentioned? If your interviewees were incarcerated or in mental homes, was it a process to schedule the meetings with them?
It was a really long time ago. I remember one of them clearly because it was the first time I ever sat in front of a man that had murdered another person. That person was still in prison and convicted for the murder, or to be exact, he was convicted for manslaughter. He had scheduled times where he tried to adapt back to society. We interviewed him for four to five hours and I remember that after three hours in the interview we got to the part that he was still in prison and that he had killed someone.

Were the documentaries you watched on stations like The History Channel? What docs most inspired the lyrical content?
I have watched so many different documentaries. I’m sure some were from the History Channel. Some I found on various streaming services and a lot on Youtube. For example, we have one song about sleep paralysis we wrote after Scucca and I watched the Netflix documentary called “Nightmare”. Lately I've been listening to podcasts about Swedish journalists interviewing American prisoners on death row to gain some insight into their experiences. With something like that I can find a feeling and then do my own story based on that feeling. So far I think it has turned out really well!

What was the documentary Nightmare about, and how much did it help your lyrics?
Our songs “Whom The Night Brings” & “And The Darkness Came Swiftly” are about our patient with sleep paralyze. When Scucca and I wrote the lyrics for that one we watched that documentary the same night. I already had parts of the background story in my head. We knew that it would be a song about a woman and that she would be the first patient to commit herself to Zornheym due to her sleep paralysis. We used the documentary as a source for “facts” from real cases, so more to get inspiration on how to describe the night terrors. I think Bendler suggested the topic to me to begin with… A few weeks later Scucca texted me after he first watched the documentary and told me that we have to do something about this kind of stuff. When both of them suggested it to me, I had to check it out!

While studying true life cases, did you concentrate on the acts performed or the person’s psychology and background?
It varies. I can base it on a sentence that the person said that touched me or just the feeling I got from hearing the story. Behind the majority of bad actions there’s usually a sad story.

Who is Scucca and what is his involvement in the band besides writing lyrics?
Scucca is Zornheym’s other guitarist and arranger. He’s an Irish guy who I met shortly after he moved over to Sweden through some mutual friends. He does a lot of stuff for the band because he has a Masters in Music and Music Tech which is great because it means I don’t have to worry about any of the tech stuff that I’m not as familiar with. He transcribed the orchestral and choral arrangements that I composed and helped me with the arranging process as well. He also recorded the choir parts and is currently in the process of tabbing out all the songs. He is in general an awesome guy that I’m very happy to have in the band and I feel we work well together!

Where Hatred Dwells and Darkness Reigns is accompanied by a comic strip designed by artist Anu Bring. How did you hook up with her and how well does her work fit your lyrics?
It started out with me following her on Instagram. I was very impressed by her skills and one day she started posting King Diamond portraits that she had drawn and I was like, wow… We have to do something together! I approached her and she told me that her dream was to make a graphic novel, I told her that I had a good concept for it and tons of good stories that needed to be illustrated and now here we are! Her illustrations actually shows another layer of the story. Some lyrics are just reflections of the character, what's going on inside his/her head. Bettelheim’s journal notes give more background to the characters and then comics reveal even more about character. So there is a lot to discover if you get interested in the concept, it is more than just an album with good music.

Where can Bring’s work be viewed on social media?
The first chapter for the graphic novel is published over at our Facebook page. Click here to go directly to the first chapter. You can check her Facebook page to see the vast array work she has available.

Describe the graphic novel that will coincide with the album’s release.
Between ourselves and Anu, we're working hard to finishing it up at the moment, as well as mixing the album. Once it's done we will print it and make a comic book edition of the album. This version of the album might only be available from us, the band, since we are doing so much of this production ourselves. The graphic novel adds more in depth details to the life stories behind the inmates that are confined at Zornheym. It allows us to explore more areas of the Zornheym inmates and story that we can't fit into songs or that would be better explored through an alternative medium such as in a graphic novel.

How soon will the album be released? Will it be available for streaming as well as on CD? How will you be promoting it through promo copies and live appearances?
The album will be released as an A5 Digipack on the 15th of September. We will also have some special edition releases which will include the graphic novel that we are proud to say has turned out to be exactly what we imagined, if not better! It will be available on CD and on all digital platforms. We’ve had some secretive, “dark shadowy figures in a dimly lit room” style meetings regarding a vinyl release, but we're keeping that quiet until we've got concrete plans. The label and PR people have already started doing a fantastic job of sending out the digital press kit and we're honoured to say that our first show is already booked as well. Be sure to check us out at Motocultor Festival in France on the 18th of August.


Wednesday, July 5, 2017

EP Review: DECAPITATED MUM Decapitated Mum

Decapitated Mum
Independent
Decapitated Mum is a new grindcore band from Logan City, Queensland, Australia. They have sustained a steady lineup since forming in 2014, with the exception of founding drummer Matthew A. Ormerod who according to Encyclopedia Metallum left in 2016. Liam Guy joined them for their new EP as session drummer when it was recorded at Littie Saigon 2 with Jesse Haywood. Liam Guy is a familiar name if you read The Fallout Magazine in the 2000s and more recently the Dampman comic series for which he was interviewed here in March 2016. Before joining Guy was the drummer for Metallurgy, Sedition and Malakyte. At the time of this writing he is drumming for the Brisbane black/folk metal band Elkenwood. Bassist Josh Dawson is a member of the bands Indica, Peyote Goat-ie and Powerful Owl. With a name like Decapitated Mum, the black humor of their lyrics and the cover art of their debut EP (designed by Odinson Design) you know this is distinctly for purists who prefer returning to earlier days of grindcore instead of keeping up with the times. Their self-titled EP has five songs that were likewise included on their 2015 demo. Pugnacious, unsophisticated and abhorrent in every way imaginable, it has qualities sounding like early grindcore archetypes, before Napalm Death released Scum and Repulsion, Agathocles and Larm were breaking new ground in terms of speed and intensity. The knurled, decayed, weather-beaten guitar production is similar to 80s crust punk and anarcho punk while the band’s sound is closer to mid-90s grindcore with a substantial death metal/groove feel. Early Carcass comes to mind with Inbred From Retards/Burnawet, Blood Curry and Unabortable, songs as politically incorrect as can be in relation to their topics (the band cite Carcass as an influence along with Blood Duster). It may seem a difficult task for grindcore to continue to shock people but the lyrics made me cringe while I read them on the band’s Bandcamp page. The lyrics that were written for Cuntitled and Sex, Jugs and Cock n' Balls don’t let up in that department either. Decapitated Mum pay homage to the Illinois grindcore band Impetigo with a cover of Boneyard (from their Horror Of The Zombies album) as gore soaked as the original. -Dave Wolff

Track list:
1. Decapitated Mum
2. Cuntpuncher
3. Inbred From Retards/Burnawet
4. Caesarean Cumbowl
5. Daddy's Gone Out for the Night
6. Cuntitled
7. Sex, Jugs and Cock n' Balls
8. Blood Curry
9. Unabortable
10. Boneyard (Impetigo cover)
11. Things Are Going to Get Frisky

Tuesday, July 4, 2017

CD Review: PRAYER OF THE DYING Banished From Death

Banished from Death
Independent
Malta’s Prayer of the Dying is a solo project that Martin Ciappara (also of Black Vulture, Luciferian Blood, Lustre and Sarratum) has helmed solo since 2007’s Structures Of A Dying Matter. Having always been a crossover between death and black metal, this project is one more example of achieving maturity without compromise, building on previous releases while undertaking musical growth. I’ve experienced Ciappara’s growth off and on for as long as I’ve corresponded with him, paying particular attention to full lengths including In Silence and Grief We Decay (2011) and God’s Failed Creation (2013). Over the years the black metal factors emerged to dominate his material, refined to generate grief, sadness, despair, sorrow, brooding and the deepest contemplation. Ciappara relinquishes the blast/hyperspeed associated with extreme metal, bestowing the songs with slower paces in the mode of doom metal. This expands a lot on the pensive and depressive themes Ciappara writes into his material, making it sound closer to Black Sabbath for its emphasis on the guitars as much as the plodding dirges these pieces are built upon. This comes with an additional effect of psychedelic themes reminding you of classic Pink Floyd and later Voivod, and even some Celtic themes appearing occasionally. Black metal purists need not fear as there is still a profusion of biting, abrasive chord progressions and rasping vocals here. The doom and psychedelic designs brought in create a wider theatrical tapestry in which Ciappara can embellish on these influences while avoiding the paint by numbers trap that bands can easily fall into if they try too hard to change. Adjustment of a band’s style can be as limiting as adherence to the same formula, and Ciappara finds a model balance between divergence, underground integrity and honest emotion. -Dave Wolff

Track list:
1. As Dawn Opens Its Eyes
2. Blessed with Death
3. Suffocate in Hatred
4. Eternal Shades of Doom
5. Blaspheme Thy Name
6. Avenge Our Death
7. Wasted Life
8. Faith Is for the Weak
9. No Gods No Wars
10. Outlanders
11. Venom Prayers
12. Death over Life
13. Sorrow Never Rests

Sunday, July 2, 2017

Fiction: PROBED IN THE NAME OF SCIENCE by Devin Joseph Meaney

PROBED IN THE NAME OF SCIENCE
Fiction by Devin Joseph Meaney

Knark was a grey alien, and today was going to be his first day performing a probe on a human subject. He had watched his parents perform probes in the past, but this was the first time he was going to do it by himself. He had been involved with cow abductions, but he had yet to work with a human. Knark's cold black eyes showed no emotion, but in his three hearts, he could feel the warmth of anticipation.
After filling up his stomach with the meat of various space oddities, he parted from the station that was currently behind Jupiter in his newer model flying saucer. This model could travel almost twice as fast as the model his parents had, and could warp to the planet Earth in about nine Earth seconds. Still slow in comparison to the luxury models, but it was perfect for what Knark needed it for.
Knark zoomed through the universe at top speed, listening to the inter-galactic radio station on his universal transmitter. He would soon be hovering above planet Earth, and picking out his test subject would be no easy task. On Earth, there were these people the earthlings called ''stoners.'' They smoked a green plant that made them giggle and act funny. These people were usually the first targets for a probing as they never really did put up much of a fight. They just kind of pointed at the flying saucer with red eyes saying ''woah, man'' until they were beamed up into the innards of the ship. Nobody ever believed these people were actually abducted, as stoners were known to tell tall tales. This was always good for the grey aliens.
When he reached earth, Knark found a man standing in the middle of a cornfield. ''Perfect,'' said Knark to himself as he got ready to beam the man aboard. He tried to teleport the man on board, but his computer screen was telling him that no organic life form could be found. He tried and tried again, but to no avail. After a few more attempts, he finally realized that this was not a man at all. It was something that human beings called a ''scarecrow.'' A makeshift false-man that was used to scare away birds.
Knark flew around the entire planet six or seven times before he finally found a suitable probing subject. There was a man sitting on a park bench in a place known as Central Park, so Knark scooped him up as quick as he could. He had his saucer set to stealth mode, so no other humans would be able to see his craft. Once on board the saucer, the human seemed to be confused as to how he got there.
Knark gleefully shot the human with a tranquilizer dart, then continued to strap him to a table. The human was still partially conscious, but it was good enough for Knark. Humans were only animals, and for science, Knark did not mind making the sacrifice. A little pain never killed anyone. (Knark was not aware that humans had an adverse reaction to pain.)
The human screamed in sedated agony as Knark peeled layers of skin from him for a biopsy. The human screamed again as the vitreous fluid was sucked from his eyes with an elongated needle for testing. Knark was having an amazing time studying, but the human did not feel the same way. Knark removed a few of the human's fingertips and toes to figure out how they worked. He could have just asked his parents, be he really wanted to find out for himself.
The man started frothing at the mouth, but Knark just washed his saliva away with a cloth and proceeded to remove the man's teeth one at a time. He removed his tongue and put it in a petri dish, swiftly putting it in his freezer room so that it would be kept nice and fresh. After poking and prodding around with the man's innards for about an hour or so, Knark decided that it was finally time for the grand finale. It was time to start the probe.
The man shrieked and made a grimace as the probe was inserted. (You know where.) For about an hour the man yelled in pain, but Knark just continued to delve into his scientific exploration. Knark loved his studies, he really enjoyed learning. After running dozens of tests, Knark finally decided that he was done with his subject. The pain-filled mass of human flesh-waste was then ejected from the ship via the garbage hatch. The still living remains of the man were now destined to float around space for all eternity, with the dozens of other subjects his parents had tested in the past. Knark did not realize his cruelty, as greys were not emotion-filled beings. Science was their only mission.
Just as soon as he came, Knark departed from Earth and headed back to the space station that was orbiting Jupiter. His stomach was rumbling in hunger, and he was desperately craving a space-soda. (It's the same as an Earth soda, except it's in space.) His reptilian girlfriend would be waiting at home and he didn't want to keep her waiting.
In the name of science, Knark did a good job. With tunes blaring, he shot across the universe in his saucer, loving every second of the ride. His first probe was a success. Seven seconds later, he arrived at Jupiter.
Home sweet home.

THE END